Metal Hammer (UK)

eVeRY TiMe i Die

GROUNDCULT­URE

- LUKE MILNE

THE GARAGE

Buffalo bruisers cram festival energy into a sold-out show

WITH THEIR DEBUT

performanc­e hitting just last month, GROUNDCULT­URE’S [6] opening dive into a soldout london show starts with a forceful wave of enthusiasm. Channellin­g the stylistic spirit of Underoath, the Newcastleb­ased five-piece flesh out their self-titled debut eP: a flush of robust – if somewhat familiar – metalcore anthems. Sadly, a lack of mileage sees the fresh-faced quintet’s sturdy performanc­e generating a fairly subdued response. as their initial outburst settles in to a more reserved affair, it’s apparent that we may yet see GroundCult­ure’s youthful spark reach its full potential. From the offset, the energetic showmanshi­p of american quintet EVERY TIME I DIE [9] still resonates exquisitel­y with the unique energy of their recent appearance at SlamDunk Festival. Folding their high-octane dynamic into a comparativ­ely intimate setting, Buffalo’s finest tear through a dizzying slalom of metalcore aggression, invigorate­d by a raucous display of approval from fans. an infectious, feelgood atmosphere lingers as brothers Keith and Jordan Buckley lead a slick, versatile showcase of the band’s eight albums. audience-sung lyrics of We’rewolf, The New Black and Underwater Bimbos From Outer Space fill the air as crowdsurfe­rs appear and disappear amid an animated sea of excited, sweat-dripping fans. as bodies swarm the stage for closing number Indian Giver, eTID’s whirlwind performanc­e – complete with the promise of a ninth studio album in the not-too-distant future – presents a strong finale to their brief UK tour.

 ??  ?? GroundCult­ure’s roy Watson focuses
on channellin­g Underoath
GroundCult­ure’s roy Watson focuses on channellin­g Underoath
 ??  ?? Just in case eTID’s Keith Buckley needs
a hand after devouring his own…
Just in case eTID’s Keith Buckley needs a hand after devouring his own…

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