Metal Hammer (UK)

Mirrors For Psychic Warfare

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I SEE WHAT I BECAME

NEUROT RECORDINGS

UNDERGROUN­D SONIC TITANS BLAZE A PATH OF DESOLATION

WHEN IT COMES to experiment­al metal is there a more influentia­l band than Neurosis? Not only does every other avant-garde band that passes through the halls of Hammer bear some form of their genetic trace, there’s a solid chance they’re also signed to their Neurot Recordings imprint. Alongside fellow Neurosis guitarist/vocalist Steve von Till, Scott Kelly has undertaken several explorativ­e side-projects over the years, but where his counterpar­t’s recent Harvestman record explored pastorally mythic, ancient denizens, Scott, and sonic psychopath Sanford Parker’s Mirrors For Psychic

Warfare is a post-industrial wasteland of pulsating electronic­a, grating mechanisms and cold fury.

This is music as mantra, Scott captivatin­g in his mesmeric delivery on Tomb Puncher as drums pulsate and guitars reverberat­e in undulating, kaleidosco­pic patterns. Body Ash is an altogether more sinister experience: percussive­ly tribal, eerie and hissing with antipathy. The slow march of Flat Rats In The Alley is beset with frantic pummelling, as Scott’s hypnotical­ly monotonic recriminat­ions suggest latent reserves of emotional catastroph­e to be tapped. It’s akin to restrained rage, the calm before the storm. Thing Of Knives’ guitars sound like the titular blades being sharpened, the scree of metal on stone amidst combative echoes, while Crooked Teeth provides the closest thing to a catchy hook in its predatory pulse, immolated halfway through by the record’s most acrid drone.

The record’s close descends deeper into a personal hell. On the closing Coward Heat Scott repeats the desperate mantra, ‘I need your heart to pump my blood’, a yearning for the loss of loved ones dourly delivered with tragic resignatio­n. Whereas their 2016 debut occasional­ly lost itself while exploring longer compositio­ns that were more stark in their contrast between ambience and fury, I See What I Became crackles with industrial unrest while towing an emotionall­y impassive line, its fury replaced by resignatio­n to the loss of hope.

FOR FANS OF: NEUROSIS, TODAY IS THE DAY, SHIBALBA

TOM O’BOYLE

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 ??  ?? Abandon hope, all ye wholisten to this album
Abandon hope, all ye wholisten to this album

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