Metal Hammer (UK)

For I AM KING, metal is a matter of life and death.

For these Dutch melodic death metallers, music is a symbol of hope. For Iranian frontwoman Alma, it’s a matter of life and death

- Words: HyWel davies

AlmA AlIzADeh hAD to take some huge risks to make it to the pages of this magazine. Born in

Iran, she became a political refugee at the age of nine, escaping to the more liberal surroundin­gs of the Netherland­s, where she has lived ever since. In fact, the For I Am King frontwoman may never get the chance to see her native land again – fronting a death metal band could lead to her arrest, or worse, if she should ever return.

Though many years have passed, there are memories that still echo in her mind, proving a lot for the frontwoman to bear. “I remember living on a farm with my family,” she recalls of her homeland. “I remember that my parents had to move away because of political reasons but I didn’t really understand any of that when I was a kid. When you see people leaving their country or their homes on the news, not everybody can understand just how hard the reality can be. I haven’t really talked about it a lot. It’s still very difficult to tell anyone what

I went through.

“When we arrived in Holland, I noticed that everything was much bigger and people were dressed differentl­y, but I felt so at home here,” she continues. “I remember learning the language quickly and one of the reasons why was because the people helped out so much. I feel very lucky to be living here. I can listen to metal whenever or do whatever I want to do. I wish everybody could have the same experience and the same feeling as I did when I moved here.”

Though she bashfully admits to her love of the Backstreet Boys when she was growing up, her tastes ultimately took a much heavier route, culminatin­g in the volatile melodeath ferocity of For I Am King. If Arch Enemy were in a relay, this five-piece would be the next contenders to pick up the baton.

Alma tells Hammer that metal was non-existent in her life back in Iran. “I didn’t hear any metal before I left home,” she explains. “I didn’t know anything about tattoos, heavy music or anything like that when I lived in Iran. But I remember my mom and dad would play Abba, Bee Gees and Queen a lot. Those are the first bands I remember who weren’t Persian. System Of A Down was the first of the heavier bands I started to listen to. Then bands like Slipknot came along, with Metallica and Iron Maiden. When I met Jurgen [van Straaten, FIAK bassist], he introduced me to more hardcore and metalcore music like Underoath, Hatebreed and especially Walls Of Jericho, who were a huge inspiratio­n to me.”

The NeTherlAND­s’ ATTITuDe towards refugees continues to be progressiv­e, having accepted around 60,000 asylum seekers back in 2015 at the height of the Syrian crisis. Talking with Jurgen, this was a situation he and his family couldn’t ignore.

“I think for Alma, this situation still hits home on a daily basis. It really opened my eyes. There are a lot of refugees around here and my family tries to help where they can. I also try to help by driving people to their families who have been separated. Overall, the political side of the Netherland­s thinks we should help each other out, no matter where you are from. We’re all human, we are all the same.”

No other song on latest album

I reflects more on Alma’s childhood experience than Home. With the record being the band’s most personal release

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