Metal Hammer (UK)

LET THERE BE GRIND!

Five landmark albums from the gods of grindcore

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NAPALM DEATH

From Enslavemen­t To Obliterati­on

(earache, 1988)

The band who embody grindcore more than any other. If Napalm’s debut, Scum, had announced their arrival in spectacula­r fashion, then the follow-up raised the stakes even further. Brutal, uncompromi­sing and politicall­y charged, it changed the game, landing the band on the cover of the NME and ushering in a new era of extremity.

REPULSION

Horrified

(necrosis/earache, 1989)

The grindcore motherlode. Originally recorded as the Slaughter Of The Innocent demo in 1986, it was given a proper release three years later, by which time its confrontat­ional mix of blastbeats and guttural roars had already changed the DNA of extreme metal.

CARCASS

Symphonies Of Sickness

(earache, 1989)

Featuring a set of gloriously OTT songtitles ripped from gruesome medical textbooks – Embryonic Necropsy And Devourment, Crepitatin­g Bowel Erosion

– the Scousers’ second album was simultaneo­usly funny and deadly serious. Full marks for the original release’s hyper-graphic dissected body parts cover, too.

TERRORIZER

World Downfall

(earache, 1989)

Featuring future members of Napalm Death and Morbid Angel, LA’s Terrorizer were a grindcore supergroup. Their debut exploded like a car bomb when it landed, proving grindcore wasn’t the exclusive property of pasty-faced Brits.

NASUM

Inhale/Exhale

(relapse, 1998)

The album that woke grindcore from its slumber: an unrelentin­g aural assault that plunged vicious shards of noise into the corpulent body of 90s metal. Everyone from Napalm Death to Slipknot sat up and paid attention. Grindcore was back with a vengeance!

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