Model Rail (UK)

LAYOUT: Tinsley South

Father and son team STEVE and CHRISTOPHE­R SAXBY breathed new life into their old exhibition layout - by updating it with DCC and computer control.

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Father and son team Steve and Christophe­r Saxby breathed new life into their old exhibition layout.

I’d been building simple railway layouts since I was a kid, so I was thrilled to discover that there was a modelling club at my workplace. I joined it, and enjoyed helping to build a couple of large exhibition layouts. Some readers may recall seeing ‘Yorchester Bankside’ (featured in Railway Modeller, November 1988) or ‘Castley Hall Junction’ ( Railway Modeller, November 1994). However, the club folded in 2002, and it looked like I’d have to return to building small end-to-end layouts... In the meantime, my son, Christophe­r, had been developing an interest in the contempora­ry railway scene. My own layouts had a 1960s theme, and this prompted me to think about doing something different. ‘Tinsley South’ was conceived as a simple suburban setting. It would give me the ideal layout on which I could run my growing collection of contempora­ry multiple units that could be seen in the Sheffield area. The layout made its first appearance at the 2004 Derby Model Railway Exhibition. Christophe­r and I had already tweaked reality - the real Tinsley South was on the Sheffield District line just to the west of Meadowhall shopping centre. But the station on our layout is based on the ex-great Central line towards Rotherham in the Broughton Lane area, which the Sheffield Supertram now parallels as far as the Tinsley Viaduct. I had built a couple of DC Kits’

‘TINSLEY SOUTH’ WAS CONCEIVED AS A SIMPLE SUBURBAN SETTING. IT WOULD GIVE ME THE IDEAL LAYOUT ON WHICH I COULD RUN MY GROWING COLLECTION OF CONTEMPORA­RY MULTIPLE UNITS

Class 76s and wanted somewhere to run them. Fitting catenary to ‘Tinsley South’ seemed like the obvious solution, so we decided on a hypothetic­al scenario in which the Woodhead line hadn’t been closed and the local stations up the GC South Yorkshire line towards Rotherham had been kept open. And it was in this form that the layout went to Leeds Model Railway Society’s exhibition. These shows highlighte­d the limitation­s of our station end fiddleyard. For the 2005 Pontefract Model

Railway Exhibition, we made a new fiddleyard, which incorporat­ed a scenic section to make the layout a bit more interestin­g. It made a difference, but wasn’t enough. There were big deficienci­es with both fiddleyard­s, so for the 2006 York Model Railway Show we turned ‘Tinsley South’ into a tailchaser. This improved the operating potential enormously - but it was a huge chore to set up and dismantle - we were always the last exhibitors to leave on the final night of a show! ‘Tinsley South’ did about a dozen shows in the Yorkshire area before it went into storage at the end of 2007. Bookings for it seemed to have dried up, and we felt that it looked a little tired. We took our East London layout ‘Manygates’ (MR198) on a little north western tour in 2011 and at both Manchester and Rochdale shows we received invites for ‘Tinsley South’ for 2012. We brought it out of storage and identified a number of issues: the fiddleyard­s were dated, in that the wiring was all analogue and we’d been digital for a number of years. And while some of the scenery had faded, the biggest issue was that we had disposed of our most modern stock and replaced it with a 1970s BR blue fleet. This made our layout anachronis­tic: the layout featured trackside staff in hi-vis

overalls, palisade fencing, station staff in GNER uniforms and advertisin­g hoardings depicting 1990s products and services. All these anomalies were easily replaced, but the bulk of the work took place behind (and under) the scenes. Redundant isolating sections needed to be replaced, some Eckon signals had failed and the route setting matrix had become a confusing mess. As far as the electrics were concerned, it was time for a fresh start. We replaced all the old wiring. Lenz LS150 accessory decoders were added for point switching, the station lights were renewed and new signals (from CR Signals) were installed. We were really impressed with these items - the ground signals in particular - and they can be configured for any format. For example, we’ve added a call-on light mid-post to the starter on Platform 3 for locomotive­s entering the headshunt. We’ve retained a limited capacity for analogue running, as our elderly Class 76s are not fitted with decoders, nor is our 40-year-old Tri-ang ‘EM2’. The ‘76’ fleet is being supplement­ed by new Olivia’s Trains/heljan models, but we think the old DC Kits version still looks good today. The baseboards that we used for ‘Tinsley South’ came from an old club project that had been cancelled. When the club folded, we inherited them. I can’t remember who built them but they’ve proved to be very durable. However, there’s a spot where one has sagged a bit, so ‘Tinsley South’ has a pronounced gradient change in the middle! We have resorted to ‘wedging’ it up at exhibition­s, but nobody notices.

SIMPLIFIED CONTROL

Digital Command Control is still not everyone’s cup of tea, especially when it comes to sound. However, we have been using it for some time and I particular­ly enjoy the computeris­ation and automation side of it. ‘Tinsley South’ is primarily DCC, so a traditiona­l control panel is no longer compulsory. However, this method can require a lot of user input on the handsets to set routes. To make this easier I have set up a simplified panel with buttons to select the start and end of routes, on the same

principle of an Entrance/exit (NX) panel on the real railway. Behind this is an old laptop running a script in Java Model Railroad Interface ( http:// jmri.sourceforg­e.net) hooked up to our NCE system which converts the button input into the routes required, and sets the appropriat­e points. Taking the computeris­ation further, we have the fleet list held within our JMRI database, so by hooking up a cheap wireless router to the laptop, we can create a local Wifi network. We can then control the layout using the Engine Driver ( http://enginedriv­er.rrclubs.org) or Withrottle software ( www.withrottle.com) on our mobile phones. Chris likes to bemuse spectators (and other ‘Tinsley South’ operators!) at shows by walking to the other side of the hall and initiating locomotive movements using his phone.

THE COMEBACK

So, what next for ‘Tinsley South’? Its comeback at Manchester in 2012 was well received. At times, it was difficult to run trains because so many people wanted to talk about it! Once again though, the limitation­s of the station end fiddleyard were exposed, and a couple of point failures resulted in a thorough overhaul. Happily, show bookings have shown no signs of drying up, so there’s no reason why we’ll need to take ‘Tinsley South’ off the exhibition circuit for some time to come.

 ??  ?? Signs of the ’70s - fly-tipping alongside the line and workmen heading for the burger van! Below: The catenary is Sommerfeld’s 1,500V DC version, which is based on the Dutch style that is very similar to that used on the Woodhead Route. The main...
Signs of the ’70s - fly-tipping alongside the line and workmen heading for the burger van! Below: The catenary is Sommerfeld’s 1,500V DC version, which is based on the Dutch style that is very similar to that used on the Woodhead Route. The main...
 ??  ?? Above: Modernisat­ion comes to ‘Tinsley South’ as the redundant semaphores are replaced with new coloured lights.
Above: Modernisat­ion comes to ‘Tinsley South’ as the redundant semaphores are replaced with new coloured lights.
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 ??  ?? Above: Still looking good! DC Kits’ Class 76s still provide sterling service. Olivia’s Trains’ newer versions complement them - but have yet to replace them.
Top left: The station building is a very old Pola kit, and it’s a good representa­tion of a...
Above: Still looking good! DC Kits’ Class 76s still provide sterling service. Olivia’s Trains’ newer versions complement them - but have yet to replace them. Top left: The station building is a very old Pola kit, and it’s a good representa­tion of a...
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