WORKING OUT WHAT GOES WHERE
Start to familiarise yourself with all the key features – track angles, building shapes, and so on. Think of volume too. Clearly, the main workshop will have to be reduced in size, the smaller the layout.
Consider textures too: while much of the yard floor is very similar, there’ll be numerous subtle differences and while the railway scene will be covered in a ‘hard’ surface, the tree-lined avenue of Vastern
Road will provide a wonderful, organic foil.
At 10ft by 4ft you can have a fair stab at the prototype, retaining most of the key features. I’ve chosen a reverse ‘S’ arrangement with the scenic section largely diagonally placed across the main board. There are high and low-level non-scenic tracks, a low-level traverser consisting of three tracks, each capable of holding six short wheelbase wagons, plus two high-level sidings with the same capacity per siding.
There’s a hidden non-scenic curve extension to the headshunt coming off the graded line, to the left of the plan, and this could be extended onto a longer, narrow non-scenic ‘shelf’.
In terms of gradients, E to F is for scenic purposes only, though could be used periodically for storing a locomotive and train. I’d be tempted not to make this gradient too steep at F, so as not to block the view of the bowstring girder bridge. G to H is fairly steep, at a little over 1:18, but this could be increased in length (and the gradient thus eased) by moving crossover I to J. Or, Dccconcepts’ Powerbase system could be employed to help locomotives negotiate the gradient (www.dccconcepts.com).