Mojo (UK)

Murray Talks Music: Albert Murray On Jazz And Blues

HHHH Edited By Paul Devlin UNIVERSITY OF MINNESOTA PRESS.

- Michael Simmons

Different drumming with man of letters Albert Murray.

African-American musicologi­st, novelist and public intellectu­al Albert Murray didn’t publish until middle-age and lived to be almost 100 – prodigious to the end and giving older scribes hope that age doesn’t diminish quality! His taste was a uniquely personal combo of old-fashioned (he preferred earlier 20th century jazz to later experiment­al evolutions) and radical (recognisin­g the subversive intent of bluesbased music created by black Americans). Highlights include a Dizzy Gillespie conversati­on and, tables turned, a chat conducted by Wynton Marsalis. This collection of interviews and essays is proof that one can grasp the structure that animates great music by – in a manner of speaking – swinging with verbal ideas. For example, Murray reveals he learned to write by listening to Duke Ellington: “It’s a matter of encompassi­ng chaos and then bringing it under control… into aesthetic statement” – a perfect distillati­on of the artist’s mandate.

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