Mojo (UK)

What is this new devilry?

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Revisionis­m runs rampant! I’m sorry, I just don’t buy his son’s claim that George Harrison didn’t like reverb [MOJO 333]. In 1970, at any rate. After

Wonderwall and Electric Sounds, All Things Must Pass was George’s first solo effort. He was photograph­ed smiling with Spector with the tape of the album. Unsurprisi­ngly, the latter’s production is outstandin­g. When I bought it on its release, I thought it a flawed masterpiec­e. The flaw? That awful cacophony of a third disc. Apple Jams – an aural nightmare, wholly unnecessar­y. George could have made fundamenta­l revisions – he had plenty of time and his own studio – in 2001, on its re-release. He only did it for My Sweet Lord. And which was the better? Spector’s original production of My Sweet Lord – no question. Michael Solan, Chester Le Street

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