One is starved for Technicolor up there

Despite beginning to hedge his critical bets at the close of his review, Jim Irvin states he sees no harm in changing… sorry, remixing George Harrison’s All

Things Must Pass [MOJO 334], hailing it as a means of “future-proofing fine material for ears raised on punchier modern recordings.” Ah, the poor dears, deemed unable to listen but only hear, although I suggest the package is chiefly intended for those of an older disposition anyway. Rewriting musical history to pander to passing contemporary taste only serves to diminish the art itself. In the meantime, colourisation of black and white films, anyone? Brian Hogg, via e-mail