Mojo (UK)

Baligh Hamdi

★★★★ Modal Instrument­al Pop Of 1970s Egypt

- David Hutcheon

SUBLIME FREQUENCIE­S. CD/DL/LP

Respected Egyptian composer takes a trip on the wild side.

Having made his name as a songwriter for the biggest names in Egyptian music, in the late 1960s, Hamdi broadened his palette significan­tly by importing contempora­ry sounds from abroad and adding them to classical Middle Eastern orchestrat­ions. If you ever thought rock bands experiment­ing with the East was the very vertex of exotica, this is a whole other level. His musicians – The Diamond Orchestra – were employed in search of a new modern hybrid just as other African nations were developing a new authentici­ty. On Ennai, he mixes hand drums with sitar and flute; zithers duet with electric guitars, sax and keyboards over majestic violin arrangemen­ts throughout Bambah; tempo change at whiplash speed; electric keyboards replicate the smells and sounds of the souq. If you’ve never heard of Hamdi before, you’ll wonder why Morricone and Barry got to be cult heroes first.

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