Mojo (UK)

James Krivchenia

- John Aizlewood

★★★★ Blood Karaoke 4AD. DL/LP

Big Thief drummer and Taylor Swift collaborat­or’s fourth solo album. Sounding very much unlike either Big Thief’s inspired indie-folk or Taylor Swift’s self-penned, worldconqu­ering pop, Jim Krivchenia’s solo work takes from seemingly everyone, but sounds like no one else. A collection of instrument­als built around hundreds of randomly generated samples of YouTube videos and some of Krivchenia’s own MIDI work,

Blood Karaoke ought to be an incoherent mess. Instead, it’s a sometimes beautiful, sometimes brutal sound collage, with unexpected twists and turns every few seconds, such as the elegiac piano which appears from nowhere on Caldendric­al Rot, the briefly swinging guitars of Sub-Creational Reality and the opening to Scaleable Future Self Continuity Interventi­ons, which promises Thriller before the song delivers a clatter worthy of Aphex Twin. It’s a breathless sensory onslaught, but a few plays in, moments begin to stick, although the element of surprise never falters. There is, it seems safe to say, nothing quite like it.

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King Gizzard & The Lizard Wizard: scaling heights.
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