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Sport: A kinetic melody of art and science

A kinetic melody of art and science

- By Anushikha Bhas - guest writer

An

amalgamati­on of various hues, different colors even, altogether and yet not in the tiniest fraction of a little bit obfuscatin­g their intrinsic souls. Different but united by the sheer enormity of the spirit that has manifested itself as MOVEMENT. That is what SPORT represents for me; the manifestat­ion of the power of the human spirit and will at its peak. It lies there, ensconced - in not just the thud and thump of a thundering heart beat - but in the beads of perspirati­on, the mélange of voices in one’s head, dichotomou­sly so of course (calming that mental chatter requires tapping into some of that will), the contractio­n and relaxation of one’s muscles, the feeling of one’s lungs on fire. It is the core of every sportspers­on. Sport, I believe is energy in

“The scene is instant, whole and wonderful. In its beauty and design that vision of the soaring stands, the pattern of forty thousand empetalled faces, the velvet and unalterabl­e geometry of the playing field, and the small lean figures of the players, set there, lonely, tense and waiting in their places, bright, desperatel­y solitary atoms encircled by that huge wall of nameless faces, is incredible.” —Thomas Wolfe (Of Time and the River)

manifest form as I’d mentioned earlier, a conduit for the patterns of the universe to play themselves out. Allowing that spirit to take shape in its own unique way is indeed a herculean task and the tools and techniques that science has to offer, I believe, provides the fuel for this process.

My personal experience­s competing in martial arts at both the national and internatio­nal levels from a young age, has given me the opportunit­y to gain better insight into the conditions and mental states that improve or hinder sporting performanc­e; like ‘flow states’ and sporting anxiety, both of which I have experience­d. Injury and the ensuing recovery processes were something that I experience­d as well. A ‘flow state can bring out one’s ‘A-game’ while anxiety can be crippling and can often lead to outcomes

a lot worse than defeat, if not channeled in the right way. The several victories I have enjoyed have been a result of the inadverten­t use of the right effort, training methods and mental states.

I say inadverten­t because my experience­s in sport had been more performanc­e oriented than analyzing the process behind its optimizati­on. What allowed me to start focusing on ‘process’ and ‘deliberate practice’ had been the defeats I suffered from and the breaks I’d been forced to take due to injury, which gave me time to think. My first-hand experience of training and competing in combat sports, is, I feel, one of the reasons I began to develop a fascinatio­n for sport and all the science working in conjunctio­n with it.

In order to maximize one’s potential, one must, incorporat­e scientific principles into their respective training. The role of a sports scientist lies in the aforementi­oned detail, to work assiduousl­y at providing the scientific backbone to every technique, regimen/training sequence. The rationalit­y, experiment­ation, hypothesiz­ing, observing and active partaking of the fruit of curiosity that is innate in science (to mention a few) intertwine­d ed with the beauty of sport, both fascinates ates and inspires me to delve more deeply ly into this area.

The nuances and intricacie­s associated with sport are so multitudin­ous, that I feel I must - in order to dive into deeper waters - both study and employ the scientific method associated with it. In Oliver Sack’s book, ‘A Leg to Stand On’, he describes movement as a ‘kinetic melody’.

I truly feel like the term perfectly encapsulat­es the process. Muscle coordinati­on, synchroniz­ation, timing; all played out as music in kinetic form. My appreciati­on for even the simplest of coordinate­d movements springs from the very fact of my having read about the propriocep­tive mechanisms behind movement, which was so beautifull­y delineated in the book. As elegant or magnificen­t as movement looks (in terms of sport and exercise), it is the science with all its alluring complexity, that offers meaning to it all. That any maneuver, as simple as it may look, is held up by so many scientific processes, working so efficientl­y even without the knowledge of the doer, amazes me beyond measure.

Cracked beauty - like the Japanese process of inlaying brokenb porcelain with gold - is what sums up sposports science for me. It is like a constant osmosiso between piercing the whole ddisciplin­e with the intellect, subjecting it to scientific reasoning and the aesthetic elements of sport: logic formformin­g the region of high concentrat­ion at some momoments and beauty/ aesthetics making up thet region at other moments - me being the sesemiperm­eable membrane-dynamic equilibriu­m ata its best, perhaps.

About the author

Anushikha Bhas has multidomai­n experience in the fields of life-sciences, sport and health with a Master’s Degree from the University of Exeter, UK. Her interests span across domains of sport, art, science, literature and creative writing. Her current research explores the psychophys­iology of flow states.

Links

Twitter: @acesport_bhas

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