Old Bike Mart

A tale of two factories

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In 1962 John Stevenson took the opportunit­y to visit two of the British motorcycle industry’s most famous factories and here he recollects his impression­s. It’s also given us a grand excuse to dive into one of our favourite places, the Mortons photo archive!

sixty years ago I was a junior journalist and wanted to assess the British motorcycle industry. Although not technicall­y minded, I was an experience­d motorcycli­st who had read the right magazines, i.e. I’d done my homework.

Rumours were flying around that some manufactur­ers were struggling financiall­y and what was fact was that the Lambretta motor scooter was making great inroads into British two-wheeler sales. A recent sports version, the TV175 Slimstyle was new to the market. So, as the song goes, ‘You don't need a weatherman to know which way the wind blows’.

I managed to obtain permission for two official visits, one to the James Motorcycle Company at Greet in Birmingham and the second to Triumph Engineerin­g at Meriden in the Midlands. I travelled northward to Birmingham in my Ford 100E Anglia and was met at James Motorcycle­s by Bob Bignell, the sales manager. He was a very pleasant man and made me welcome. However, I could see from the outset that he had an uphill job on his hands. There was little manufactur­ing in evidence.

In the 1950s James (and its sister brand, Francis-Barnett) had an enviable reputation for well-made lightweigh­t motorcycle­s powered by the excellent Villiers engine, notably the 30C, 8E and the superb 225cc

1H. For reasons unbeknown, AMC motorcycle­s, the parent company, decided to manufactur­e its own twostroke engines. It was not a good idea. They shot themselves in the foot and sales plummeted at the James factory.

In the corner of the assembly area were a handful of strange looking frames. I was told they were for the James scooter. Lambretta were importing machines from Italy by the thousands – and this was the response.

At the Francis-Barnett factory a curious motorcycle had just been built, a 150cc which was called the Fulmar. It would find few buyers. So James and Francis-Barnett were making engines, a scooter and a new 150cc motorbike that nobody wanted. Down the road at Small Heath, BSA had modernised and upgraded the Bantam to 175cc while the C15 250cc was a good selling lightweigh­t. James and Francis-Barnett lasted until 1966, a great shame but not surprising.

The following day I drove to Triumph Engineerin­g at Meriden where I was greeted by Ivor Davies, the publicity manager. Again, Mr Davis was friendly and welcoming; he was also a dedicated Triumph man. I was shown around the factory which was buzzing, I could feel the enthusiasm everywhere. Every worker it seemed, from the managing director down, rode a Triumph. Whilst on my guided tour I made a few mental notes. The beautiful T110s and Thunderbir­ds of the late 1950s were now enclosed in 3TA cowlings and front mudguards. They looked like ungainly 650cc scooter/ motorbikes. Likewise, the Speed Twin was now a red 3TA with an upgraded engine. I made no comment. However, under the same roof were the last of the pre-unit Bonneville­s and Trophies, stunning machines. I was unsure what to think. The Tiger Cubs were popular and selling well and the company was obviously making money.

Mr Davis was more than kind enough to invite me to lunch in the executive dining room. Here I sat with many prominent key Triumph personnel. Unfortunat­ely, I was without knowledge or experience and so none of them were known to me! And that ended my tour.

I did, however, once again rub shoulders a few months later with

Triumph. It was the launch of the Tina scooter. It was held, if my memory serves me correctly, on the South Bank, near the Royal Festival Hall. It was walking distance from my base in Fleet Street.

The Tina was to be the big opportunit­y to make some money from the scooter market. By chance I was able to speak to Edward Turner who was in a particular­ly good mood and was enthusiast­ic about his 100cc automatic and he expected to make inroads into the female market.

As is now known, the initial sales collapsed. It was then revamped in a different colour and called the T10. Again, it just faded away for British manufactur­ers just could not make a scooter that sold in any quantity. A couple of years later, I jumped ship and left Fleet Street … and I opened a shop selling Lambrettas!

 ?? ?? The Triumph motorcycle factory in the early 1960s. This was the production line for the Triumph Tina scooter whose launch John attended. Unfortunat­ely, the automatic scooter was too little and too late to save the British scooter industry.
The Triumph motorcycle factory in the early 1960s. This was the production line for the Triumph Tina scooter whose launch John attended. Unfortunat­ely, the automatic scooter was too little and too late to save the British scooter industry.
 ?? ?? Lambretta had already built a reputation for being glamorous.
Lambretta had already built a reputation for being glamorous.
 ?? ?? No gears, no clutch, no buyers…
No gears, no clutch, no buyers…
 ?? ?? Not only did Lambrettas conjure up an image of continenta­l sophistica­tion, the Italian machines were what many people learned to ride on. In 1964, the RAC-ACU training scheme took possession of a number of Lambretta Slimstyle scooters on which to train novice riders. Here, Mary Driver, one of the leading trials riders of the time, tries out one of the new scooters.
Not only did Lambrettas conjure up an image of continenta­l sophistica­tion, the Italian machines were what many people learned to ride on. In 1964, the RAC-ACU training scheme took possession of a number of Lambretta Slimstyle scooters on which to train novice riders. Here, Mary Driver, one of the leading trials riders of the time, tries out one of the new scooters.
 ?? ?? ABOVE: Edward Turner (centre) believed the Tina scooter would be successful. On this occasion he was wrong.
ABOVE: Edward Turner (centre) believed the Tina scooter would be successful. On this occasion he was wrong.
 ?? ?? Even Bond girl Mollie Peters, who had featured in Thunderbal­l, couldn’t persuade people to buy the Triumph T10.
Even Bond girl Mollie Peters, who had featured in Thunderbal­l, couldn’t persuade people to buy the Triumph T10.
 ?? ?? This was what the strange-looking frames John saw in the James’ factory would become.
This was what the strange-looking frames John saw in the James’ factory would become.
 ?? ?? The ‘150cc motorcycle nobody wanted’.
The ‘150cc motorcycle nobody wanted’.
 ?? ?? RIGHT: A cutaway illustrati­on of the James scooter which appeared in The Motor Cycle.
RIGHT: A cutaway illustrati­on of the James scooter which appeared in The Motor Cycle.

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