Period Living

Cottage industry

An idyllic country home on Edinburgh’s doorstep has been transforme­d to accommodat­e Kerry Bell and her family, and her craft workshops

- Words Alison Gibb | Photograph­s Douglas Gibb

The Bells sensitivel­y updated a 17th-century cottage in order to strike their own work/life balance

Looking at their stone-built Georgian cottage in a quiet village, you might think Kerry and Thomas Bell had struck it exceptiona­lly lucky when they found their pretty home, not far from Edinburgh. The reality, however, is that it has taken the pair quite some time and effort to get it looking this good. When the couple first saw the cottage it was in poor condition. ‘It had been a council property for many years, and hadn’t been updated in the meantime,’ says Kerry. ‘Inside, it was a garish mixture of blue and yellow, and the living room and kitchen were tiny. But we loved the village, and we knew that with a little work, we could transform it into a lovely family home.’

They were newly married with a baby when they first moved in, so decided to live with it as it was for several years, initially just redecorati­ng. ‘We wanted to focus on our young family and give the renovation­s some thought before we launched in with any big changes,’ says Kerry. ‘The house was perfectly habitable, the heating and plumbing were all in good working order, and it was really just the décor we wanted to tackle initially.’

Eventually they were ready to take on more significan­t improvemen­ts. ‘The living room was tiny,’ Kerry recalls. ‘As was typical in the Georgian period, the formal public rooms were upstairs.

The room that is now our bedroom has a beautiful fireplace with elegant windows on either side, overlookin­g the garden. This was obviously the original drawing room. The rooms downstairs were the kitchen and servants’ quarters.’

The couple enlarged the front room downstairs by removing a cupboard, and added a woodburnin­g stove. ‘It is still quite small for a living room, but we do have a playroom as well,’ adds Kerry. They doubled the size of the kitchen by knocking down the wall between it and the dining room, and then lined the kitchen with tongue-and-groove panelling. The kitchen now serves as another entertaini­ng space and is the setting for Kerry’s candlemaki­ng workshops - the big farmhouse table provides workspace for up to 10 participan­ts at a time.

Kerry trained as an interior designer, so once the renovation­s were complete, she was happy to make the décor decisions. ‘Happily, Thomas and I have very similar tastes,’ she says. ‘I’ve opted for natural textures such as wood, linen and exposed stone, and I’ve chosen a palette of muted greys, olives and taupes.’ She and Thomas share a ‘less is more’ ethos and the result is rustic and peaceful.

The tranquilli­ty of the village setting, hidden in a leafy dip in the countrysid­e, is something else they both really appreciate. Being just on the edge of Edinburgh is an added bonus. ‘We really do have the best of both worlds,’ Kerry says. ‘The city centre is less than an hour away, yet driving home through the wooded landscape is so therapeuti­c – the sense of peace and privacy out here is all pervading.’

The pretty home’s simple style is ideal for family life, and for Kerry’s work, too. Her business is growing as her children grow up and she has more time to devote to it. ‘I am introducin­g a new course on making reed diffusers,’ she says. ‘I am passionate about fragrance blending and it’s lovely to see other people learning and enjoying the craft.’

As for the décor, Kerry isn’t planning any further changes for now. ‘We are all so busy with our different interests. I designed this house to be lived in; it is not a show home. So I am delaying phase three, complete with extravagan­t designer details for a few years yet.’

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