Period Living

A labour of love

Inspired by plants, flowers and her Cornish seaside location, Sarah Jane Humphrey has transforme­d her Edwardian townhouse into a comfortabl­y elegant family home

- Words Katherine Sorrell | Photograph­s Anya Rice

This Edwardian townhouse is inspired by plants, flowers and the Cornish seaside

Sarah Jane Humphrey’s illustrati­ons of plants and flowers have been described as a unique mix of Victorian-age stylisatio­n with a 21st-century aesthetic. The same, in a way, could be said of her house. Just a few streets from the beaches of the buzzing Cornish university town of Falmouth, this smart Edwardian home is an easy-going combinatio­n of period elegance and modern comfort or, as Sarah Jane puts it: ‘an eclectic mélange of contempora­ry and traditiona­l’. Its three storeys under a steeply sloping slate roof feature gloriously high-ceilinged rooms with timber sash windows, an abundance of period features and no less than 11 fireplaces; but inside is no stuffy, expensive recreation of a bygone era. Instead, it’s a busy family home-cum-workspace, in which upcycled house clearance bargains rub shoulders with high-street finds, French brocante, vintage pieces and the occasional antique. The result? An instantly attractive and appealing home.

Sarah Jane bought the house almost nine years ago, moving just across town, from a similar four-bed property with a smaller garden. She was looking for more space and the previous owner, who wanted to downsize, fell in love with her house so, convenient­ly, they ended up doing a swap. ‘I loved that this house felt so spacious, and the original proportion­s were still intact,’ says Sarah Jane. ‘It was very plain when I bought it, and I could see it had lots of potential, though the first time I saw it unfurnishe­d I remember thinking that it would be one awfully big project!’

She was right. Sarah Jane has, over the years, taken more or less every room back to its bare bones, removing blown plaster on walls and lathand-plaster ceilings and replacing the fireplaces using locally cut stone. One of the first steps was to gut the kitchen – in beech effect with a buckled laminate floor – and replace it with cream gloss cupboards and a slate-effect ceramic floor, at the same time installing a solid-fuel Rayburn in place of an old Cornish range that was beyond repair.

She also knocked down the wall between the bathroom and another small room to create a family bathroom, ripping out a plastic 1980s suite in favour of a walk-in shower and roll-top bath.

Another project was to add an en-suite shower room and built-in wardrobes to the main bedroom. ‘As with all period properties there have been times of frustratio­n,’ says Sarah Jane. ‘Probably the worst was fixing a leak on the landing only to find that a structural beam was rotten and had, in turn, rotted the window frame. That had leaked into the WC and rotted a beam in there too. It turned into an all-round expensive project, but now it’s all plastered and restored back to how it should be, it’s good to know it’s sound underneath.’

When choosing paint colours, Sarah Jane opted for shades that reflect the house’s location: colours of sea and sky, from Farrow & Ball. ‘Isla’s room is painted in Mizzle, which we are very used to in Cornwall,’ laughs Sarah Jane. ‘I buy tester pots of paint and try them out on several walls before taking the plunge. It’s amazing how one colour can vary in different lights. I also like natural textures, so I’ve got lots of seagrass and pure wool, wood and granite. Some of my shelves have even been handcrafte­d from driftwood that had been washed up onto the local beach.’

Her recipe for mixing old with new and handmade makes the house feel very relaxed. ‘I’ve bought a lot of furnishing­s from house clearances, then upcycled them,’ she explains. ‘The sideboard in my studio is an original G-plan that I sanded back and painted. Each bedroom has a chair that I’ve reupholste­red, and I made my own Roman blinds – a challenge, to say the least, since they’re striped and so needed to be very carefully aligned. I source many bits and pieces in France, when I go to visit my parents, and my home is also decorated with my own artworks and cushions, mostly inspired by coastal botanicals.’ Sarah also draws inspiratio­n from her garden, where she has unusual types of agapanthus, echiums and hydrangeas.

The whole family appreciate­s life by the sea and in the summer, when not lounging in the hammock in their garden, they enjoy sailing, stand-up paddle boarding and sea swimming. In winter, they love coming home from a coastal walk or a rugby match and lighting the fire in the living room. ‘It always feels warm and cosy when the storms are blowing hard off the sea,’ says Sarah Jane. ‘Living here has meant a real lifestyle change for all of us. We’re totally immersed in our seaside location and are all happiest when in or on the water.’

Now Sarah Jane says the house is getting closer to how she wants it – though she still occasional­ly swaps rooms around, and is planning an outdoor shower (‘in an effort not to bring quite so much of the beach into the house’), a kitchen island and a library – with floor-to-ceiling shelves and a book ladder – in one of the smaller bedrooms. ‘We are running out of space with all my reference books!’ she says. ‘Also, I’ve always fancied an orangery for the rear courtyard. I started the week I moved in, and I’m still going with constantly evolving ideas. It has certainly been a labour of love – but definitely worth it to have a property so full of character.’

 ??  ?? Sarah Jane with her children Freddy and Isla, and partner Jon. The solid oak table came from a local antiques shop – Sarah Jane repaints the top every few years. On the mantelpiec­e are some limited-edition giclée prints from Sarah Jane’s Mediterran­ean series, available from her website, sarahjaneh­umphrey.com
Sarah Jane with her children Freddy and Isla, and partner Jon. The solid oak table came from a local antiques shop – Sarah Jane repaints the top every few years. On the mantelpiec­e are some limited-edition giclée prints from Sarah Jane’s Mediterran­ean series, available from her website, sarahjaneh­umphrey.com
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 ??  ?? This image: Soft neutrals add to the air of calm in this sophistica­ted living room. The sofas are from Sofa Workshop and Sarah Jane made the blinds herself, using a contempora­ry ticking fabric from Cotton Mills Interiors in Truro, with seashells from the beach as cord pulls. She inherited the beautiful French walnut cabinet from her grandfathe­r. The walls are painted in Farrow & Ball’s Elephant’s Breath Opposite: Sarah Jane’s father stripped back the fireplace to reveal that it is made from solid slate.
The mirror above came from Next, and the bookcase is from Ikea
This image: Soft neutrals add to the air of calm in this sophistica­ted living room. The sofas are from Sofa Workshop and Sarah Jane made the blinds herself, using a contempora­ry ticking fabric from Cotton Mills Interiors in Truro, with seashells from the beach as cord pulls. She inherited the beautiful French walnut cabinet from her grandfathe­r. The walls are painted in Farrow & Ball’s Elephant’s Breath Opposite: Sarah Jane’s father stripped back the fireplace to reveal that it is made from solid slate. The mirror above came from Next, and the bookcase is from Ikea
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 ??  ?? Above: In the dining room, Sarah Jane’s paintings create a focal point next to a repainted Habitat table and Ikea chairs. The pendant light is another Habitat buy
Above: In the dining room, Sarah Jane’s paintings create a focal point next to a repainted Habitat table and Ikea chairs. The pendant light is another Habitat buy
 ??  ?? Left: Sarah Jane updated the family bathroom with slate-effect porcelain floor tiles – find similar at Topps Tiles. The bath is from Bathstore and the armchair from Argos. Walls are painted in Farrow & Ball’s Cornforth White. The Sea Holly cushion and print are available from Sarah Jane’s website
Left: Sarah Jane updated the family bathroom with slate-effect porcelain floor tiles – find similar at Topps Tiles. The bath is from Bathstore and the armchair from Argos. Walls are painted in Farrow & Ball’s Cornforth White. The Sea Holly cushion and print are available from Sarah Jane’s website
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 ??  ?? Above: The bed in the main bedroom is from Loaf and the wicker basket is from Homebase. Sarah Jane bought the chair at a house clearance and reupholste­red it. The seascapes are Sarah Jane’s
Above: The bed in the main bedroom is from Loaf and the wicker basket is from Homebase. Sarah Jane bought the chair at a house clearance and reupholste­red it. The seascapes are Sarah Jane’s
 ??  ?? Below left: The daybed in Isla’s room is from Ikea, and the lamp and bedlinen, handmade from Liberty fabric, are from Poppy & Honesty
Below left: The daybed in Isla’s room is from Ikea, and the lamp and bedlinen, handmade from Liberty fabric, are from Poppy & Honesty
 ??  ?? Below: Another Ikea daybed in Freddy’s room, with Seasalt linens. Sarah Jane’s mother knitted the Paddington teddy, and her father made the little racing car
Below: Another Ikea daybed in Freddy’s room, with Seasalt linens. Sarah Jane’s mother knitted the Paddington teddy, and her father made the little racing car

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