Period Living

Floral medley

With profuse planting offering a richness of colour and texture, Tessa Sale’s cottage garden in Kent is the culminatio­n of nearly three decades of work

- Words and photograph­s Leigh Clapp

The profuse planting in Tessa Sale’s cottage garden offers a richness of colour and texture

Hidden behind medieval flint and brick walls, this garden in the historic village of Sandwich in Kent, is a floriferou­s delight, brimming with a multitude of scents and colours. Evoking the feeling that you have stepped into a secret garden, it spreads out from behind the house, divided into a pretty cottage garden jumble, and a contrastin­g cooler, shady area.

The garden has evolved over 29 years under the guidance of owner Tessa Sale, who moved here with her late husband, Bill. ‘We knew the lady who lived here before us and we always said to her that we would love first refusal on the house if and when she wanted to sell it. Fortunatel­y for us, Bill

was retiring from his job as a live-in headmaster of a prep school at the same time that the lady was looking to move,’ says Tessa.

‘We loved the feeling of the house and its location in Sandwich, and for me a big attraction was the garden, which was establishe­d but in need of love and attention,’ she continues.

Tessa duly set to work, replanting and enriching the garden, aided by the knowledgea­ble gardener David Roberts, who they inherited with the property and who still helps out one day a week. ‘Together we discuss planting ideas, and try out new things in the garden each year. David does all the heavy lifting, cutting back and planting for me, which I am now unable to do on my own,’ she says.

A small rectangula­r lawn and the layout of herbaceous and rose beds were retained, but old plants were replaced, and the interwoven paths of compressed earth updated for brick walkways. ‘Today, I don’t think that there are many of the original plants left, but I have kept the feeling of the flower-heavy, cottage-style garden that I inherited all those years ago,’ Tessa explains.

The depth of planting provides a richness of colour and interest, which is framed by box hedges, and augmented with topiary, containers and statues dotted as focal points among the profusion.

Each of the main flower beds has its own character and self-seeding is encouraged, embracing the naturalist­ic essence of cottage design. ‘The garden is not a weed-free area, completely in the mode of Chelsea – it’s ok to have a few weeds,’ says Tessa, smiling. Massed lavender billows in the sunshine, humming with bees; poppies stand tall among textural silvery Eryngium giganteum; and clouds of crimson scabious, Knautia macedonica, catch in the slightest breeze as you wander the paths.

A mix of roses add to the medley, including reliable ‘Iceberg’, clear pink R. chinensis ‘Mutabilis’, and long-flowering Rosa x odorata ‘Bengal Crimson’. ‘All the plants have been chosen for their colour, structure, texture or scent, and I like to use complement­ary colours and textures throughout the garden. Now that I’m in my eighties, I don’t always remember the botanical names and tend to just buy what I like,’ Tessa says.

She has a natural artistic eye, honed since childhood, which is clearly evident with the combinatio­ns of colours, textures and forms across the garden. ‘I started my lifelong love of gardening helping my grandmothe­r, who was a very keen gardener. All through my life flowers have been my passion – painting them, arranging them, growing them and looking at them. My aim is to have a vase of flowers from the garden on my kitchen table all year round. They still amaze me with their variety and beauty. I have never been profession­ally trained as a gardener, instead I have learned about plants and gardening through trial and error; my garden gives me untold pleasure,’ Tessa beams.

A keen visitor of gardens, she also cites Lord Rothschild’s renowned former head gardener,

Sue Dickinson, as a particular inspiratio­n, as she has helped and suggested varieties of plants, including a range of hardy Salvia microphyll­a varieties in pinks, purples, reds and pale yellows.

The area of the garden that presented the biggest challenge to Tessa was where footings of an old building had been, which meant there couldn’t be a garden bed. Instead, inspired by a visit to Les Jardins Agapanthe in northern France, Tessa came up with a lovely idea of a series of clipped, small box balls in neat rows, set in gravel, that make a lovely resting point for the eye against the floral and foliage effervesce­nce.

In contrast to the colour medley of the main section of the garden, is the partially divided second area, bought ten years ago, which has an air of tranquilli­ty. Here you can sit in the shade and listen to birdsong. There are simpler beds of pale tones and green, a vegetable patch, plum tree, an

old greenhouse and shed. In spring, carpets of different species snowdrops form a carpet under the canopy of two cherry trees, witch hazels perfume the air, and Magnolia ‘Susan’ stars before white foxgloves pop up and glow among the hostas.

There are no significan­t plans for the garden, just the continuing gentle evolution for a long season of interest, from cheerful tulips offering vibrant splashes of colour in spring, to dark-leaved dahlias in bright tones in autumn. ‘I love nothing more than to wander around the garden in early summer just before the sun goes down, and see the light on the plants and experience that feeling of the garden bursting in to life,’ says Tessa. ‘Even at the end of summer, in among the dryness of the plants and earth, you still find little pockets of treasure coming up in the garden.’

tessa’s gardening tips

● Use shrubs for colour and shape as the framework of your garden design, and then plant around them with colour.

● Use lots of scented spring shrubs to fill your garden with wonderful aromas.

● Allow plants to self-seed for a wilder look, and to make the garden feel as natural as possible.

● Let hardy geraniums multiply to fill in spaces in the beds and borders – as the fuller the garden is the less you have to weed.

● Mix structure with texture, using plants of differing heights, and under-plant high plants with ground cover – even in a small garden.

● Choose mainly perennials, and use annuals for colour, as this will keep down the cost and maintenanc­e of the garden.

In the area

The Salutation, Sandwich CT13 9EW. Originally created by Sir Edwin Lutyens and Gertrude Jekyll, the garden has a quintessen­tially English feel, with mirror borders, tropical planting, a white garden and potager. It holds the largest collection of dark-leaved dahlias in the UK and the national collection of plectranth­us. Open daily (10-5). Entry £8.50. Tel: 01304 619919; the-salutation.com

Goodneston­e Park Gardens, Wingham CT3 1PL. Historic garden of around 14 acres set around a Queen Anne house, with borders, old-fashioned roses and productive areas. It has connection­s with Jane Austen, who was a regular guest and wrote Pride and Prejudice immediatel­y after staying there in 1796. Open April-sept, Sunday and Tuesday to Friday (11-5). Entry £7. Tel: 01304 840107; goodneston­eparkgarde­ns.co.uk

Maytree nurseries, Dunkirk, Faversham ME13 9LH. Many plants grown on site, with border plants and unusual varieties. Tel: 01227 750353; maytreenur­sery.co.uk

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 ??  ?? Ribbons of repeated lavender and a jumble of massed daisies catch in the breeze among the textural tapestry of planting in Tessa’s garden in the village of Sandwich, in Kent. Self-seeding is encouraged, embracing the naturalist­ic essence of cottage garden design
Ribbons of repeated lavender and a jumble of massed daisies catch in the breeze among the textural tapestry of planting in Tessa’s garden in the village of Sandwich, in Kent. Self-seeding is encouraged, embracing the naturalist­ic essence of cottage garden design
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 ??  ?? Above: Tessa has an artistic eye and love of flowers. Many plants, including poppies, salvias, Eryngium giganteum
and Knautia macedonica,
spread out over the narrow paths, in a joyous medley of annuals and perennials
Above: Tessa has an artistic eye and love of flowers. Many plants, including poppies, salvias, Eryngium giganteum and Knautia macedonica, spread out over the narrow paths, in a joyous medley of annuals and perennials
 ??  ?? Right: An urn framed by low buxus hedging lends a touch of formality against drifts of richly purple salvias
Right: An urn framed by low buxus hedging lends a touch of formality against drifts of richly purple salvias
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 ??  ?? Above: In the shaded back area, a small vegetable plot supplies a range of fresh produce for the kitchen
Above: In the shaded back area, a small vegetable plot supplies a range of fresh produce for the kitchen
 ??  ?? Above: Tessa places seasonal containers throughout the garden to mark the ends of paths or to create a vignette to admire
Above: Tessa places seasonal containers throughout the garden to mark the ends of paths or to create a vignette to admire
 ??  ?? Far left: Deep red pelargoniu­ms, planted in an urn, stand up well to a hot, dry summer, along with other drought-tolerant choices, such as erigeron
Far left: Deep red pelargoniu­ms, planted in an urn, stand up well to a hot, dry summer, along with other drought-tolerant choices, such as erigeron
 ??  ?? Left: self-seeding poppies dot the garden with their translucen­t pink petals, making harmonious combinatio­ns among the mauves from lavender, nepeta and salvias
Left: self-seeding poppies dot the garden with their translucen­t pink petals, making harmonious combinatio­ns among the mauves from lavender, nepeta and salvias
 ??  ?? Above: The grid of buxus balls is an inspired idea that evokes a garden in the Mediterran­ean, and provides a spot for the eye to rest and recover from the floral excess that surrounds it
Above: The grid of buxus balls is an inspired idea that evokes a garden in the Mediterran­ean, and provides a spot for the eye to rest and recover from the floral excess that surrounds it

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