Back to the beginning
As Charlotte and Peter Clifford set about turning a Grade I-listed stately home into the ultimate party house, they realised they were taking the gracious court right back to its starting point
Charlotte and Peter’s tireless restoration project has taken this Grade I-listed manor full circle
Browsing in the attics is one of Charlotte Clifford’s favourite pastimes. ‘Attic shopping’ she calls it, and ‘basement shopping’ comes a close second. ‘If I’m looking for the perfect accessory for a room, the attic is the first place I try,’ says Charlotte. ‘And it works too – I haven’t had to buy much furniture.’ As she and her husband Peter have had more than 10 rooms to refresh, Charlotte has spent quite a few hours in the attic. ‘I’d show my treasures to my mother-in-law Janie and everything I found would spark some wonderful tale about what it was used for in the past,’ she adds.
Peter and Charlotte began their renovation of Frampton Court in July 2020. The elegant country house has been in Peter’s family for many generations but, says Charlotte, is far too grand and expensive to live in as a family home. Instead, the couple decided to give it a sympathetic update, add in a few modern-day essentials and run it as a luxury holiday home for parties of up to 14 guests.
‘The idea was just to tidy it up, modernise it in a few places, but keep its integrity and history,’ says Charlotte. Indeed the history of the house is very much rooted in socialising and good times. It was built in the 1730s by Richard Clutterbuck, whose family had made their fortune as clothiers. Frampton Court became his party house, where he entertained his friends lavishly, surrounded by the luxuries of his time. ‘I can imagine the entrance hall full of his guests, enjoying the warmth from the huge fire,’ says Charlotte. It was that vision of opening Frampton Court’s grand doors to offer a warm welcome to guests once again that steered the couple through the renovation.
Focusing on the main rooms downstairs, Charlotte and Peter worked tirelessly for four months, alternating DIY and decorating with looking after their two young children in their own home nearby. ‘Peter and I tag-teamed a lot of the time, so one of us would be sanding floors here, while the other would be at home doing bath times and bedtimes.’ Their hard work paid off and the renovation tag-team ended up whirlwinding its way through the house, leaving eight dramatic room transformations in its wake.
While their DIY skills moved up a notch during the renovation, there were plenty of specialist jobs Charlotte and Peter knew were beyond them. They called in skilled local craftspeople to ensure the best finishes. Joiner Richard Knight built a new kitchen table from an old beam from Peter’s sister’s house on the estate. He also repaired the original elm floors as Peter and Charlotte ripped up carpets and stripped floorboards.
‘There was a real sense of achievement in doing it ourselves,’ says Charlotte. ‘I was quite particular about how I wanted it to look and it became an all-consuming hobby. It was fun, though. It didn’t feel like a chore and it was very satisfying.’ Being so hands-on with the renovation also gave Charlotte the opportunity to appreciate the quality of workmanship in the original build, and the intricate details throughout the house. Close-up, she marvelled at the exquisite wood panelling, the handpainted delft tiles in the fire surrounds and the hand-carved shell motifs.
She realised early on that any decorative alterations they made would have to be good ones if they were to live up to the precedent set by Richard Clutterbuck’s opulent party house style.
In the kitchen, besides the bespoke table, Charlotte replaced an old Aga with a more efficient electric range cooker. The existing basics were good: beautiful sash windows on two aspects, and an impressive old dresser and plate rack that just needed a coat of paint. New splashback tiles and limestone flooring were the only other changes needed to bring the room up to scratch.
Next on Peter and Charlotte’s list was the imposing entrance hall. Here the original wood panelling, stone flags and magnificent sweeping staircase are the foundations, while an unusual crescent-shaped sofa, a new addition, ensures that everyone can be sitting comfortably. The dining room - with a table to seat 14, a drawing room with the prettiest of fireplaces, and a small morning room are the original reception rooms where Charlotte and Peter simply refreshed the décor. New downstairs are a cinema and games room. Frampton Court’s first occupant would surely have approved of these decadent updates.
It seems, too, that Charlotte’s gift for finding treasures in the attic is something of a tradition at Frampton. In the 1980s Peter’s grandmother, Henriette, discovered an astonishing hoard of around 300 flower paintings in the attic. Painted by Henriette’s four great-aunts, the ‘Frampton Flora’, as they are now known, showed amazing skill and botanical detail, and went on to inspire a collection of wall coverings and fabrics. Many of the original paintings are in frames around the house.
Henriette passed away in 2003, but she had such an eye for interiors and was a strong presence at Frampton, so Peter and Charlotte often wonder what she’d make of their updates. They needn’t worry. Like the guests who enjoy the new-look Frampton Court, Henriette would surely appreciate this improved and very stylish party house.