Period Living

Collectors’ hoard

Filled with eclectic and varied collection­s reflecting their interests in history and art, Kathryn and Jonathan Reilly’s seaside home is as welcoming as it is interestin­g

- Words Karen Smith Radley | Photograph­s Jody Stewart

Reflecting a passion for history and art, the Reillys’ home is as welcoming as it is interestin­g

Opening the door to her home in Deal, Kent, Kathryn Reilly says, ‘Welcome to the ends of the earth!’ This town certainly feels like it’s at the edge of England. France’s coastline is often visible from the end of the street where the Reillys have lived for the last six years. ‘If you’re not careful you can find yourself switched to a French or Belgian mobile network,’ says Kathryn. With no immediate associatio­n with the east Kent locale, their discovery was serendipit­ous. ‘So many people say the same thing: we didn’t even know it existed but once we did, we just found ourselves falling in love with the place,’ she adds.

The Conservati­on Area – Kent’s first, saved from demolition by Noel Coward and other forwardthi­nking protesters – is a mishmash of colourful boatmen’s cottages, captains’ houses and some grander homes built for the likes of Elizabeth Carter (1717-1806), a proto-feminist bluestocki­ng who was the literary doyenne of the age. ‘Most of the houses have been pubs, boarding houses or brothels at some point – these were the mean streets at the time. Deal has a compelling back story for a history nerd like me,’ says Kathryn. The sense of age also appealed to her husband, Jonathan, who was prepared to endure the daily commute into London for the chance to live in a historic seaside home.

‘It didn’t take us long to find the house, but we were worried that the owners didn’t really want to sell. They had brought the place back from a pretty dilapidate­d state and clearly loved it,’ says Kathryn. ‘Things had been done in a very piecemeal fashion, though, and much of the work seemed to have been on a DIY basis. One electricia­n who came to do some work just after we’d moved in, said “show me a house round here that isn’t a death trap!” I didn’t sleep so well that night!’

Forty metres from the sea, the property is unusual in the area because of its large courtyard garden and garage. ‘We saw it as a blank canvas when we moved in,’ says Kathryn. ‘We did away with the dining room, adding a wood-burner and lots of bookshelve­s to make a cosy parlour – it’s wonderful in the winter.’ The first-floor sitting room has a double aspect, which is also unusual in the town, although there are many so-called smugglers’ windows, designed to help spot approachin­g customs enforcers. Generally, the couple added colour, painting the varnished panelling to chime with how the house might have originally been decorated.

‘We were hoping to discover more original details than we did,’ Kathryn continues, ‘But we at least have some original Georgian panelling, a wig cabinet with a secret hidey hole hidden behind a small metal panel, and the layout hasn’t been messed about with too much. There are mysteries like the holes we discovered in every riser of the staircase and the disproport­ionately thick walls in the cellar. The front part of this space is filled with rubble, the story being that smugglers were forced to destroy their illegal stores with stones from the beach. We’d love to investigat­e this further and open the space but that will have to wait.’

The house is liberally peppered with collection­s of the odd and intriguing. Kathryn collects automata, mourning jewellery, wonky taxidermy and weird bits and bobs (her cabinet of curiositie­s in the parlour is a pride and joy). Jonathan collects old books and prints by Edward Ardizzone, who they learnt lived a couple of streets away in Deal in the 1970s. Kathryn has returned to art over the last couple of years and examples of her paintings and collages are filling up the walls fast.

‘We’re exceptiona­lly lucky living here. In the summer it can be glorious and in winter the streets become very Dickensian. Having said that, when there’s a storm it can be a bit bleak!’ says Kathryn. ‘We’ve met so many interestin­g people since moving here – and seen some incredible houses. It’s impossible to guess what might be inside just from the exterior. The tiniest-looking home can turn out to be a veritable Tardis. The quirky independen­t shops on the high street are a real treat and they definitely inspire people like us to take a risk with their interiors and just go for it.’

Living by the sea has been both refreshing and inspiring for the couple. Jonathan appreciate­s the sea air after the day in London and Kathryn has thrown herself into painting. ‘The seascape changes moment by moment, and the skies are incredible. It just makes you want to pick up a brush to try to capture some of the everyday beauty,’ she says.

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 ??  ?? Rescue dog Sadie makes herself comfortabl­e in the living room. To introduce a botanical note here, Kathryn had the green chair upholstere­d in House of Hackney’s Palmeral fabric, and made a lampshade in matching linen
Rescue dog Sadie makes herself comfortabl­e in the living room. To introduce a botanical note here, Kathryn had the green chair upholstere­d in House of Hackney’s Palmeral fabric, and made a lampshade in matching linen
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 ??  ?? Above: The Wesley Barrell sofa was one of the first things the couple bought when they got married. The dog motif cushion came from a shop in the Napa Valley and the geometric cushion is by Margo Selby. They found the chinoiseri­e table on Ebay. Kathryn’s collection of daguerreot­ypes is displayed on the mantel below an Ardizzone print
Left: A glazed cupboard houses some bird taxidermy and ‘delft’ tiles by artist Paul Bommer. The shipsin-bottles on the windowsill are a fitting choice for this seaside home
Opposite: The red lamp and Moroccan cushions are from Country & Eastern in Norwich.
The small sofa is from Graham & Green, and above it is a framed poster of Fowey harbour by David Gentleman. Walls are painted in Farrow & Ball’s Pavilion Gray
Above: The Wesley Barrell sofa was one of the first things the couple bought when they got married. The dog motif cushion came from a shop in the Napa Valley and the geometric cushion is by Margo Selby. They found the chinoiseri­e table on Ebay. Kathryn’s collection of daguerreot­ypes is displayed on the mantel below an Ardizzone print Left: A glazed cupboard houses some bird taxidermy and ‘delft’ tiles by artist Paul Bommer. The shipsin-bottles on the windowsill are a fitting choice for this seaside home Opposite: The red lamp and Moroccan cushions are from Country & Eastern in Norwich. The small sofa is from Graham & Green, and above it is a framed poster of Fowey harbour by David Gentleman. Walls are painted in Farrow & Ball’s Pavilion Gray
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Georgian Townhouse
 ??  ?? Left: Kathryn and Sadie get ready for a walk by the sea
Right: The charming Grade Ii-listed Georgian townhouse is located just 40 metres from the sea, and the French coastline is often visible from the end of the street
Below: This cosy room, painted in Little Greene’s Scree, is known as the parlour. The bookcases were made by a local craftsman. Arched alcove shelves in the corner of the room, painted in Little Greene’s Canton, would originally have been used to store powdered wigs
Left: Kathryn and Sadie get ready for a walk by the sea Right: The charming Grade Ii-listed Georgian townhouse is located just 40 metres from the sea, and the French coastline is often visible from the end of the street Below: This cosy room, painted in Little Greene’s Scree, is known as the parlour. The bookcases were made by a local craftsman. Arched alcove shelves in the corner of the room, painted in Little Greene’s Canton, would originally have been used to store powdered wigs
 ??  ?? Right: Kathryn and Jonathan pieced together their characterf­ul kitchen from vintage furniture they already had in the house. The mismatched cupboard doors were found in the cellar and the base unit was in the middle of the room when the couple moved in, and was possibly an old shop counter. They added a marble top to give it a new lease of life and Kathryn painted it with chalk paint. The dining table is made from a single piece of oak, probably made in the south of France. The large apothecary jar used as a vase and the industrial double light all came from Mileage, a nearby vintage shop
Above: The Courage brewery tin sign above the Rangemaste­r cooker is from Mileage
Left: The 1950s larder cupboard in the new utility room also came from Mileage and has had a Charleston­inspired makeover in chalk paints
Right: Kathryn and Jonathan pieced together their characterf­ul kitchen from vintage furniture they already had in the house. The mismatched cupboard doors were found in the cellar and the base unit was in the middle of the room when the couple moved in, and was possibly an old shop counter. They added a marble top to give it a new lease of life and Kathryn painted it with chalk paint. The dining table is made from a single piece of oak, probably made in the south of France. The large apothecary jar used as a vase and the industrial double light all came from Mileage, a nearby vintage shop Above: The Courage brewery tin sign above the Rangemaste­r cooker is from Mileage Left: The 1950s larder cupboard in the new utility room also came from Mileage and has had a Charleston­inspired makeover in chalk paints
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 ??  ?? Left: Kathryn upholstere­d the divan and headboard in William Morris’ Fruit pattern and painted the wall behind the bed with Autentico’s paint to give a feeling of age. The sketches on the left are by local artist Rozanne Palmer. One of the ceiling beams is decorated with Mexican milagro symbols
Below: Up in the eaves, the bathroom has recently been wallpapere­d with Hamilton Weston’s replica 1800 pattern, Archway House. The tiles are from Topps Tiles, the basin is another vintage find and the splashback was designed and sculpted by ceramicist Victoria Ellis, who is Jonathan’s cousin
Left: Kathryn upholstere­d the divan and headboard in William Morris’ Fruit pattern and painted the wall behind the bed with Autentico’s paint to give a feeling of age. The sketches on the left are by local artist Rozanne Palmer. One of the ceiling beams is decorated with Mexican milagro symbols Below: Up in the eaves, the bathroom has recently been wallpapere­d with Hamilton Weston’s replica 1800 pattern, Archway House. The tiles are from Topps Tiles, the basin is another vintage find and the splashback was designed and sculpted by ceramicist Victoria Ellis, who is Jonathan’s cousin

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