Photography Week

MANAGE YOUR GEAR

Reducing the number of items within your bag is the best strategy

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The type of camera bag you choose for storing your gear can also have an impact on your ability to shoot on the move. Not all bag designs are adapted to working quickly. While high-capacity bags are great for indoor-based shoots, with little requiremen­t for mobility, these may not allow direct access to kit while still over the photograph­er’s shoulder, for example. Backpacks offer maximum balance, which is perfect for when lots of hiking is expected, reducing strain on one shoulder. Since all of your gear is stored on your back, however, it can take a few seconds to set the whole assembly on the ground and unzip the main section in order to access your camera.

Messenger bags on the other hand often feature top-loaders – inserts that can be accessed via a zipper on the top of the bag, enabling you to remove items without putting the carrier down. This is perfect when shooting in conditions that fall under the other definition of ‘on the move’ – when you have little time to plan, test and shoot important images, on photo-journalist­ic assignment­s for example. This type of storage also helps with maximising your discretion, as it’s possible to quickly access your camera when a potential image materialis­es, while remaining inconspicu­ous.

Regardless of the type of bag you choose to take on a rapid-fire shoot, reducing the number of items within it is the best strategy for streamlini­ng your workflow. This makes it easier to find the items you need when in a hurry, while also keeping weight down and reducing the risk of expensive accidents as items are rapidly moved around. Cutting out tools from your inventory does, of course, mean you that you have to become more adaptable, using what you have with you to its maximum potential.

 ?? ?? ALTERNATIV­E ANGLES
Much of the frustratio­n with limited gear stems from images you can’t capture. Look for views you can achieve with the lenses you have
ALTERNATIV­E ANGLES Much of the frustratio­n with limited gear stems from images you can’t capture. Look for views you can achieve with the lenses you have
 ?? ?? AT THE EXTREMES
If you’re using primes, pack optics at the extremes of the focal range. Favouring super-wide or telephoto lenses will ensure dynamic frames
AT THE EXTREMES If you’re using primes, pack optics at the extremes of the focal range. Favouring super-wide or telephoto lenses will ensure dynamic frames
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