WORK WITH THE ‘WRONG’ LENS

When working on the move, finding yourself with an imperfect focal length is common

1 OBSERVE THE SCENE

It might sound pretty obvious, but taking a moment to see what the subject and surroundings look like is an important step. Shoot a test image, and check the frame edges for extraneous detail or distractions that aren’t immediately noticeable.

2 START INVERTED

If you feel that you have the incorrect focal length, try starting with a lesscommon framing option. If the lens isn’t long enough, for example, aim for a wider composition. Trying to capture impossible shots will only lead to frustration.

3 ALTER YOUR DISTANCE

Where possible, move closer to or further away from your subject instead of changing focal length. Note the effect this has on distortions, such as converging verticals and background presence, before making decisions about the next steps.

4 CHANGE CAMERA LEVEL

If you can’t seem to make the composition work when using conventional framing, try altering the height from which you’re shooting. Finding an elevated position or working close to the ground can reveal unique image opportunities.

5 SHOOT BOTH ORIENTATIONS

If your maximum or minimum focal lengths are not long or wide enough, consider changing orientation to redistribute detail within the frame. This helps manage negative space and can produce some unusual perspectives.

6 CONSIDER POST-PRODUCTION

Keep your post-production processes in mind while shooting, as this will make things easier and quicker when you do get the time. Centre the shot to allow more leeway with cropping, but you can always stitch shots together too.