DAVID’S 10 STEPS TO GREAT CATHEDRAL SHOTS

1

LAP THE BUILDING

Take a complete tour so you can spot everything from classic wide shots of the nave and chapels to long lens details. Make a mental list of each focal length and position, and get to work.

2

USE A TRIPOD IF POSSIBLE

Always ask for permission to use a tripod inside cathedrals/churches. A tripod stabilises your camera to produce sharp, clear images at lower ISO, especially in low-light conditions. You’ll be surprised how many places will allow you to use one.

3

EMBRACE SYMMETRY

Cathedrals are often incredibly precise in their design, and symmetry adds a powerful visual impact to your images. Align your camera with floor tiles and features to capture the architectural balance of the interior.

4 WIDE-ANGLE FOR GRANDEUR Utilise wide-angle lenses to capture the vastness and detail of the interior space, including high ceilings and arches. This will require some precision work, so use your flip-out screen if your camera has one to save your neck!

5 LONGER FOCAL LENGTHS FOR DETAILS Use telephoto lenses to isolate and capture intricate details like stained glass, carvings, and artwork – there’s an abundance of these features in cathedrals. Use wider apertures for smooth background isolation.

6 CONSIDER A FISHEYE For a unique perspective, a fisheye lens can emphasise the sheer scale and curvature of architectural interiors. They’re superb for ceiling details, and add a playfulness to your portfolio.

7 MANUAL MODE FOR CONTROL Adjust shutter speed, aperture and ISO manually for optimal exposure, especially in challenging lighting.

This can help you to stay in control when the lighting changes, or capture more detail in the shadows.

8 DON’T BE AFRAID OF HAND-HELD HIGH ISO If all this tripod precision is cramping your style, or you’re not allowed to use one, set your camera to ISO1600 and shoot at f/5.6. Brace yourself against seats, pillars or walls for sharp shots.

9 CAPTURE REFLECTIONS Look for reflective surfaces like fonts or polished floors to add depth and a sense of tranquility to your images. Place the camera on the floor or on a low tripod if necessary.

10 GREY DAYS ARE GOOD! My personal favourite conditions for interiors are light, overcast skies. The windows will not burn out so easily, but the cathedral will still feel light and airy. Use HDR techniques if you’re shooting in bright sunshine, bracketing three or more exposures.