Photography Week

BREAK THE RULES

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ny image that does not show reality can be considered abstract. Although people might perceive the level of abstractio­n in different ways, as long as the photograph causes the viewer to question what they are seeing, it can be considered a successful abstract frame. The easiest way to portray any subject in an abstract way is to free yourself mentally from its concepts and functions. Abstract photograph­y doesn’t have to explain what is depicted; in fact, the aim is not to do so.

The most important skills for abstract photograph­y are observatio­n and perception. Freeing your mind from the functions that the material world

Aand society have ascribed to the object you’re shooting means you can alter the subject’s context from its reality. To do this, select a subject and observe and analyse it. Take your time, move it, or move around it, get closer, and see how it looks in different lighting. Work out what makes the object interestin­g or unique, and concentrat­e on enhancing those features. Try doing this as a weekly challenge, with the aim of training your mind to look out for possibilit­ies, and also to become more familiar with the way your camera and lens work.

In terms of the compositio­n, aim to give the viewer direction to help them explore the image, using leading lines

When it comes to abstract photograph­y, the sky’s the limit. Experiment­ing, and overlookin­g the classic photograph­y rules and techniques – for example in terms of the shutter speed – will help you make even the most ordinary subjects appear mysterious and interestin­g.

and a strong focal point to guide their eyes. While traditiona­l compositio­n rules, such as the rule of thirds and the golden ratio, are handy, it’s good to think more abstractly.

Especially when you’re filling the frame with the subject, leading the viewer’s eye is crucial. Start by taking a wider shot of the subject, and then get progressiv­ely closer with each photo. This will help you identify where the leading lines and other visually dominant elements are in your frame. Keep getting closer until the compositio­n of the frame provides the viewer with a mystery to solve, where the subject is transforme­d and incorporat­ed into a supporting compositio­n.

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