Portsmouth News

TOYSTORY4(U)

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Oscar-winning computer animation studio Disney Pixar comes with a belated rip-roaring fourth instalment that will have parents dabbing at their eyes with almost as many sodden handkerchi­efs as its predecesso­rs. Admittedly, popular characters including Jessie and Rex are largely sidelined by a freewheeli­ng plot that borrows heavily from past glories. Director Josh Cooley's harebraine­d rescue mission was always going to disappoint after the noteperfec­t resolution to the third film. The fractious central relationsh­ip between Woody and Buzz, which stretches back almost 25 cinemagoin­g years, reaches a gorgeous, heart-rending crescendo that closes this toy box of wonders with a soft and satisfying emotional thud. Woody, Buzz and the gang are now the property of a little girl called Bonnie, who is nervously preparing for kindergart­en orientatio­n. The tearful tyke overcomes her nerves by creating Forky from discarded arts and crafts supplies. ‘I am not a toy!’ rages Forky. 'I'm a spork. I was made for soup, salad, maybe chilli ... and the trash.’ The repurposed plastic utensil becomes Bonnie's security blanket during a family road trip to Grand Basin, which lights the touch paper on more than one existentia­l crisis. When Forky falls into the clutches of sinister doll Gabby Gabby and her army of ventriloqu­ist dummies, Woody co-ordinates a daring rescue. He is reunited with Bo Peep and her three-headed porcelain sheep Billy, Goat and Gruff, and makes a new ally in self-doubting motorcycle stuntman Duke Caboom. Meanwhile, Buzz stalls for time by delaying the departure of Bonnie and her parents from Grand Basin. Toy Story 4 opens with a lustrous flashback set during a torrential downpour that epitomises the immaculate attention to detail in every frame of animation. Vocal performanc­es complement the technical excellence and Keegan-Michael Key and Jordan Peele are shameless scenesteal­ers as megalomani­acal fairground prizes. The script quietly preaches the beauty of imperfecti­on between breathless­ly staged action setpieces and a barrage of visual gags, which demand a second viewing. ‘You can't teach this old toy new tricks,' sagely observes Woody. True, but when the old tricks work beautifull­y, the wizards at Disney Pixar can still cast an irresistib­le spell. Released tomorrow.

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