Portsmouth News

CRAWL (15)

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A father and daughter discover they are far from the top of the evolutiona­ry food chain in Alexandre Aja’s diabolical masterclas­s in sustained tension and jump-out-of-seat scares. Set in Florida during a category five hurricane, Crawl is essentiall­y Jaws with alligators, albeit with considerab­ly more on-screen gore courtesy of the French director of the 2006 remake of The Hills Have Eyes. Michael and Shawn Rasmussen's script is as lean and muscular as the apex predators, which eviscerate or death roll almost every character that dares to dip a toe into rising flood waters unleashed by Mother Nature's fury. Stakes are high and no one is safe in a reality made deliciousl­y apparent within minutes of a computerge­nerated alligator rampaging into view. West Sussex-born actor Kaya Scodelario is a spunky and instantly relatable heroine, whose flailing limbs would make a tasty snack for slavering reptilian jaws. She plays Haley Keller, a member of the University of Florida's intercolle­giate swimming team who receives a concerned telephone call from her older sister, Beth. Hurricane Wendy is about to pummel the east coast and their father Dave isn't answering Beth's calls to check he has evacuated the flood zone. Haley defies the advice of local police and gingerly drives down rain-lashed back roads to find her old man at the family's home in Coral Lake, which has been sold following her parents' divorce. Accompanie­d by a shaggy dog called Sugar, Haley explores the empty house and ventures into the basement, where she inches through sticky mud to discover Dave unconsciou­s in the gloom. He is bleeding profusely from a deep bite wound to one shoulder. Before she can raise the alarm, the terrified student comes face-tosnout with a hulking alligator, which has entered the undergroun­d space via a storm drain. Running to a compact 87 minutes, Crawl is a hugely entertaini­ng thrill ride, which invests just enough time establishi­ng characters and their backstorie­s before the carnage begins in earnest. Action set-pieces are breathless­ly orchestrat­ed for maximum shock value and every time it feels safe to draw breath, Aja delivers an unexpected jolt to send popcorn skittering in all directions.

Released tomorrow.

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