JB Priestley’s classic thriller remains a play for our times
Eric.
‘Like all the family members in the play, she is taught a harsh lesson in a dramatic and terrifying way. The Inspector seems innocuous but is in fact ruthless and in him, Mrs Birling meets her match.’
You’ve been part of the show before, what made you want to return to the role?
‘Great parts for women of a certain age are hard to find and this is a terrific role, she has some wonderful scenes with the Inspector and courtesy of the creative team of Ian McNeill set and costume designer, Rick Fisher’s lighting and Stephen Daldry’s direction she has one of the best entrances in the theatre. Plus, her dress has to be seen to be believed.’
An Inspector Calls was first performed in 1945, and has stood the test of time, as proved by its continued popularity. Why does Christine think it still endures? ‘Great plays usually have a great message, and a timeless lesson for us all. The notion that “we are all responsible for each other,” to quote the Inspector is particularly relevant today, given our political climate, and the “me too” movement, and the plight of the homeless and disaffected, all of these themes are addressed in this play. ‘Priestley believes that actions have consequences. You need to see the production to appreciate the craft of his storytelling, it’s a thriller, and a “whodunnit” brilliantly told. Daldry’s revival of the play in 1992 has proved to be enormously successful (seen by 4m people so far) and is often credited with reigniting interest in JB Priestley. What makes it so special for Christine? ‘Everything makes it special, Daldry broke the mould with this production. No kid gloves or fusty drawing room drama rules apply here – the gloves are literally off in terms of the production, the performance style and the ingenious, breathtaking award winning set designed by Ian McNeil.’
No kid gloves or fusty drawing room drama rules apply here