JOURNEY WITHOUT MOVING
The annual refugee festival goes online
Athree-week festival of the refugee and asylum seeker experience and artworks created by them has been part of the Portsmouth cultural calendar since 2016.
Journeys Festival International (JFI) launched in Leicester in 2013, branching into sister events here and in Manchester.
The festival programmes have featured a lively mix of music, theatre, film, spoken word, interactive exhibitions and much more. And they weren’t just in venues and galleries, they often featured in public spaces – engaging with the public in new and interesting ways.
However, as with so many other events, the Covid-19 pandemic forced a rethink for this year.
Moving online, the festival takes place from Monday, September 28, to October 18, exploring different elements of the refugee experience, and living up to the festival name, will share artwork and events created by international artists who have sought sanctuary in Europe.
For Portsmouth JFI producer Claire Woollard, this year has meant working more closely with her Manchester and Leicester colleagues.
‘We didn't reach the point where we decided it was it was never going to happen,’ says Claire.
‘We had a period where we were trying to put various different scenarios in place, and had different plans for how we might be able to run something physical – what different measures we might need to put in place for different levels of restrictions and social distancing.
‘We realised that actually, we would need to make a decision fairly quickly as to whether we were just going to move online, because we needed to start moving things forward and contracting artists and it was too difficult to try and do with everything really unknown.
‘Once we made the decision that we were going to go digital, it was a very different process, but it made it easier in that we could actually start planning and start making things happen.
‘It's been really, really different this year in terms of how we've worked, obviously, but it has opened us up to be able to work with artists anywhere and everywhere. We can work with people across Europe and across the globe, which has been an exciting opportunity.
‘And I'm working on projects with my colleagues in Manchester and my colleagues in Leicester in a way that we wouldn't normally do, which has been really nice. It's much more cohesive and joined up way of us working together on something, and it's quite exciting.’
While there may not be events people can attend in their respective cities, local organisations are still part of what they do, like Aspex Gallery at Gunwharf Quays.
‘We've got Little Journeys into Creativity, which are family activities that are being released every Saturday. We're doing them in partnership with a couple of different organisations or artists, and the last day is with Aspex, which is great. There'll be a video that we're sharing at 11 o'clock, on that Saturday (October 17), and then that will be available for the weekend for families to watch and enjoy.’
There’s also Halabja: In the Golden Days by Gulan, a charity promoting Kurdish culture.
‘They’re based in London, but worked really closely with the Portsmouth Kurdish community,’ explains Claire. ‘They've put together an online magazine exploring the town of Halabja which was the site of this horrific mass genocide attack in the 1980s and it's overshadowed what the city is remembered for and how people relate to it.
‘It used to be a really thriving cultural city with loads to offer and it still is, but it's not what it's known for anymore. They're trying to revive that and remember that and it’s got a lot of reflections and interviews with people, some really high profile figures from the area, which is really exciting.’
Anita David is part of Roots Portsmouth, the festival’s advisory panel. Originally from Pakistan, she came to the UK as an asylum seeker eight years ago. Three years ago, she met Claire who got her involved in a writing workshop.
‘I wrote a play for that festival and it was quite successful. I never thought I would actually write a play which would be performed in a theatre – it’s not something I envisioned for myself.’
This year she is introducing If You Want To Be Alive... Read My Lips by Maral Mamaghanizadeh, a deaf artist from Iran.
‘These festivals and these projects, they help the asylum seekers to be integrated into society and get in touch with the local community, and practice their language skills.
‘It’s creating awareness in the local community too, which also helps.
‘And it gives asylum seekers a sense of belonging, and gives opportunities to practice their skills and talents – hidden talents sometimes, and also gives them encouragement and confidence.
Asylum seekers are often at their lowest when they come here, so this is the best way to help them look forward and think about the future.’
JFI has often featured projects in public spaces which have created interaction with the wider public.
But as Claire says: ‘We really wanted to include some of that this year, And that was part of our original plans, but it just wasn't able to happen because of various restrictions and families, We would definitely love to return to that next year.’ Many of the online events are free to view or participate in.
‘We have some events that have a suggested donation amount, but you can still book a ticket without that,’ Claire adds. To see the full line-up go to journeysfestival.com.
They help the asylum seekers be integrated into society and get in touch with the local community
It has opened us up to be able to work with artists anywhere and ever ywhere