Prog

ENSLAVED’S PROGGIEST MOMENTS SO FAR…

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Convoys To noThingnes­s

From Monumensio­n

(2001)

The beginnings of prog stirrings are here. There’s a real sense of ominous introspect­ion as the song builds to a climactic overload, yet it then moves into more eerily somnambula­nt scenery.

This shows a genuine desire to experiment.

The Crossing

From Below The Lights (2003)

A complex maze of torturous metallic passion coupled to a more dense and atmospheri­c appreciati­on that owes much to Van der

Graaf Generator. This is an agitating compositio­n that never settles and is always challengin­g the listener to remain involved.

rooTs of The MounTain

From RIITIIR (2012) This is where the band displayed an authority so reminiscen­t of Opeth. There are sparks of the old Enslaved gruffness, but this is butted up against a colourful ambience that’s evocative yet also claustroph­obic. There’s little doubt the band are revelling in their self-imposed artistic freedom.

saCred horse

From E (2017)

Folk essence meets psychedeli­a on a track that gives vent to Enslaved’s desire to push the envelope like never before. This is a stunning cognisance of the way in which nature should be allowed to develop without interferen­ce.

It’s the soundtrack to a symbiotic relationsh­ip between human and animal.

hiindsiigh­T

From E (2017)

This comes across as if the band have let their imaginatio­ns take over and spontaneou­sly created a tapestry of sound. But underlying this is a distinct discipline. Enslaved display a penchant for what jamming on ideas can achieve, but always within a framework, albeit a flexible one. It’s the joy of artistry mapped out within the necessity of focus. MD

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