Prog

KALEIDOSCO­PE

Tangerine Dream 50th Anniversar­y Remastered Edition KaleiDOsCO­Pe sOUnDs Brit psych classic celebrates its 50th – on tangerine wax.

- KN

Not to be confused with the samenamed US ethnopsych­ers, London’s Kaleidosco­pe appeared in 1967 as a perfectlyr­ounded kaftan pop incarnatio­n of that heady year’s psychedeli­c undergroun­d. With cheap wine the strongest intoxicant on their menu and old school rock biz grounding rather than countercul­ture hipness, the band presented a clear-eyed take on the more whimsical flights of Floyd’s Piper At The Gates Of Dawn translated through Bee Gees’ songcraft. Singer Peter Daltrey delivered his lyrics with measured Sydlike Englishnes­s over guitarist Eddie Pumer’s sparkling melodic backdrop, and it was given a technicolo­ur sheen by Philips Records in-houser Dick Leahy.

Kaleidosco­pe’s evocative first single Flight From Ashiya was about a plane crash, but when its distressed survivors plaintivel­y muse ‘Nobody knows where we are’ they could’ve been querying the poor distributi­on that stymied the record. With those scarce original copies going for £1,500, Kaleidosco­pe’s debut album (so good that it named a fledgling Krautrock outfit) has been reissued before, but this time Daltrey unearthed the original master tapes from Universal’s vaults.

Remastered by Spacemen 3’s Pete ‘Sonic Boom’ Kember, tracks such as the swooning Dive Into Yesterday, sinister heartbeatu­nderpinned The Murder Of Lewis

Tollani and eight-minute fantasy The Sky Children have been given crystallin­e new life that brings out every intricate harmony or baroque flourish. Cut-glass trophies like A Lesson, Perhaps (a poem about a fly over courtly acoustic guitar) now grace a perfectly-restored museum piece pressed on tangerine wax.

The album comes with bonus 45 featuring Kaleidosco­pe’s self-titled signature song and standalone 1968 single A Dream For Julie. After psych nose-dived, they reinvented themselves as Fairfield Parlour for the burgeoning prog movement but it’s good to see Kaleidosco­pe again today, playing these quintessen­tial era gems to new ears.

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