Prog

FEDERICA GIALANZE

When Black Moth’s guitarist discovered Anekdoten, she developed a passion for modern Swedish prog.

- Anatomical Venus is out now via Candleligh­t. See facebook.com/themothpit.

“I’ve always been interested in alternativ­e music, but I developed a passion for atmospheri­c prog and 70s prog rock when I moved to the UK from Italy 16 years ago. When I came to London, my best friend gave me a bunch of mix CDs which included bands like Porcupine Tree, Paatos, and No-Man. He’d included Anekdoten’s The War Is Over from Gravity as well, and I fell in love with their songwritin­g. It was a difficult time for me so their atmospheri­c, melancholi­c music hit the spot.

Back in the 1970s, there was a massive prog scene in Italy and my dad used to listen to some of those bands. As far as I’m concerned, Anekdoten take it to the next level. What I enjoy about them is the sound of the Mellotron and electric organ. They’ve got pretty much everything; they’re heavy, they’re fuzzy, they’re atmospheri­c and they can be quite dark as well. None of their songs are less than seven minutes long and they really tell you a story, they’re very engaging. I’m most emotionall­y attached to Gravity, that’s when they found their trademark sound. There have been times when I’ve listened to three albums of theirs back-to-back without stopping – they’re incredible and definitely my favourite band from the Scandinavi­an scene. Unfortunat­ely I always seem to miss them live. The last time I had tickets, they cancelled the tour and I was so gutted. Their Official Bootleg – Live In Japan album is probably the closest I’ve got to the live experience and it’s incredible. If we ended up on the same bill as them, it would be a dream come true.

I would totally recommend listening to Nicklas Barker’s sideprojec­t Morte Macabre. He did a covers album of horror movie soundtrack­s called Symphonic Holocaust. That’s another album I can listen to over and over again.

Prog rock has influenced my playing in the way odd time signatures have made their way into my music. I’ve never really had an outlet to be experiment­al, but it’s something I want to take a bit further in the future.” NRS

 ??  ?? IN FOR A RIDE: FEDERICA GIALANZE’S PROGRESSIV­E JOURNEY OF DISCOVERY BEGAN WITH ANEKDOTEN.
IN FOR A RIDE: FEDERICA GIALANZE’S PROGRESSIV­E JOURNEY OF DISCOVERY BEGAN WITH ANEKDOTEN.
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