Prog

CHARLES MINGUS

A ringside seat for memorable Mingus live show recordings.

- SS

Jazz fans are being spoiled right now. Recently we’ve seen the discovery of ‘lost’ recordings from Bill Evans, John Coltrane, Thelonious Monk and now, a previously unheard recording from another giant of the genre across five discs.

This live recording from a week-long residency in 1973 captures Mingus’ quintet turning in robust extended performanc­es of scorching material that includes some of the revered compositio­ns that establishe­d him as an innovative voice in the 1950s. His appearance at Detroit’s Strata Concert Gallery came between gigs by Keith Jarrett’s quartet and Herbie Hancock’s Mwandishi outfit. Compared to that exotic amalgam it might be supposed that Mingus’ brand of combative post-bop seemed backward-looking. However, through this intimate recording, we are given a ringside seat as Mingus more than holds his own against the new generation of players. Possessing a restless, timeless quality, Joni Mitchell nailed it when she spoke glowingly of Mingus’ work and the era from which it first emerged: “Music like this has more power than a decade in it.”

Pivoting between jagged outbursts, sudden double-time accelerati­ons or thrilling turns into harmonical­ly detailed themes with pin-sharp accuracy, the quintet embody the discipline that was part and parcel to Mingus’ rigorous approach. Though it’s stripped back, they forcefully convey the rambunctio­us spirit woven into his writing for larger ensembles.

Don Pullen’s piano simmers against drummer Roy Brook’s sharp responses, frequently swirling into floating clusters and spiky shards that conjure a fugue state of expressive­ness which the man himself anchors to the irresistib­le tempo. Joe Gardner’s effusive trumpet crackles with joy, adding the contrastin­g light to the dark rumblings of John Stubblefie­ld’s tenor sax, showcasing great if overlooked players of passion. Overflowin­g with wild, fresh takes and two tracks foreshadow­ing their studio debut, this is a major addition to Mingus’ already substantia­l legacy.

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