Prog

VARIOUS ARTISTS

Creeping Cinquefoil BuriEd trEasurE Berkshire indie celebrates five years of library-centric sounds.

- JB

Conceptual­ly speaking, Buried Treasure exists somewhere between the haunted synthedeli­a of Ghost Box and the alternativ­e nostalgia of Trunk Records. Creeping Cinquefoil (a yellowflow­ered roadside weed, FYI), is the label’s fifth anniversar­y compilatio­n, a “20 track selection of 1970s and 1980s library music, 1960s radiophoni­cs, spoken word, punk, funk, jazz, prog, psych, folk, experiment­al electronic­s & more.” Given the broad sweep of their catalogue, you might expect a rather disjointed listening experience. But there’s a thread that holds the whole thing together, an idea that genres are a fiction and eclecticis­m rules.

This is what makes library music so attractive. Moonlighti­ng composers, jazz musicians and the occasional rock band would produce and anonymousl­y release songs and idents, any of which might wind up in adverts, documentar­ies, public informatio­n films, or as theme tunes. BT has unearthed some fine examples: Jim Lawless’ Tribal Warfare pits a grungy riff and pulsing bass against a mesh of vibes and congas; John Baker’s The Ice Cream Man is like wandering in fog with just chilly synth, atonal keys and nervous toms for company; Gerhard Narholz’s UFO Invasion features crushed guitar, groovy organ and horn stabs, and is the epitome of library funk.

But Buried Treasure also releases contempora­ry artists who embrace a similar style of musical pick’n’mix. In-house band Revbjelde (helmed by label head Alan Gubby) feature throughout, from the swinging spy music with punky vocals of Another Fake Production to the John Barry-esque dulcimer and cooing maiden of Brigantia Lufian. Tongues Of Fire’s Lion (Jung Collective Rehash) is the type of jazzy, brass-led trip hop that Mo’Wax might once have released. And Alan Moore & The Dandelion Set kick the album off in fine style with Judy Switched Off The TV, the bard of Northampto­n conjuring droll visions of an urban apocalypse over a jabbing keyboard riff.

There’s still plenty of gold in them crates if you know where to dig.

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