Prog

GREENSLADE

Expanded double CD version of the group’s final album from 1975.

- MB

on their first three albums Greenslade had establishe­d a signature style of intricate songs and instrument­als with an expansive, open sound based on the empathetic lines of the group’s two keyboard players, Dave Greenslade and Dave Lawson. For Time And Tide original bass guitarist Tony Reeves had left and been replaced by Martin Briley, who also played some lead guitar. But the actual structure of the music was also changing.

While the instrument­al Catalan could have appeared on an earlier album, the three-and-a-half-minute Animal Farm is a punchy R&B-inflected track with synthesise­d brass, which, although written by Lawson, reminds of Greenslade’s former group, Colosseum. The equally concise Waltz For A Fallen Idol has a feel of Todd Rundgren about it, in the chorus vocal arrangemen­ts.

Both Lawson and Greenslade had already recorded some tracks on which they played all the keyboards on 1974’s Spyglass Guest. Greenslade has noted that there was no schism in the group or any ego issues in working this way, and both keyboard players would participat­e if they were performed live.

But the solo pieces on Time And Tide are further departures: the instrument­al Doldrums was recorded by

Lawson at home on reel-to-reel, while Tide is a Greenslade keyboard piece that anticipate­s his 1979 solo album The Pentateuch Of The Cosmogony. Another of his compositio­ns, Time, is just over a minute of choral vocals and keyboards.

As Time And Tide is only 31 minutes long all this only adds to the feeling of it being more of a sketchbook for new ideas that the band were set to explore further, rather than an album with a strong identity in its own right.

But what could well lure in the floating voter is CD two, a previously unreleased, hour-long live broadcast recorded on Swedish Radio in March 1975, which showcases the band’s subtle power, particular­ly on Joie De Vivre, and Drum Folk, a lengthy instrument­al punctuated by Andy McCulloch’s eyebrow-raising solo drum cameos.

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