Prog

VARIOUS ARTISTS

Wonderful multimedia document of the little label that could.

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Prior to setting up Rocket Girl Records in 1998, music obsessive Vinita Joshi managed The Telescopes, ran Cheree Records and co-founded Ché Trading (both named after her beloved Suicide), whose roster included Tinderstic­ks, Bardo Pond, Lilys and Urusei Yatsura. This handsomely illustrate­d hardback book, written by Richard Milward, tells the remarkable story of how an Asian girl from Rugby prevailed in an industry fraught with pitfalls, steering Rocket Girl single-handedly through two decades and over a hundred releases. Her simple mission statement was in-keeping with someone who was, first and foremost, a fan of the acts she represente­d from God Is An Astronaut to Kaleidosco­pe’s Peter Daltrey: “I want to share good music with everyone out there.” Aside from the book, this package features a Mogwai flexi disc, a 7-inch single on orange vinyl and a 16-track compilatio­n CD. A fine spread of eclecticis­m it is too, from Silver Apples’ space-prog and the esoterica of Robin Guthrie to Pieter Nooten’s post-rock abstractio­ns and the VU drone of A Place To Bury Strangers. Best of all is TVP’s All Coming Back, in which Dan Treacy remembers the time he witnessed Nico pissing in the sink when they shared a gig in Berlin. Rh

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