Prog

The Gradual Death Of Culture

With the Bizarre World Of Frank Zappa hologram tour hitting UK shores this month, Prog writer puts the case against…

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The creation, production and consumptio­n of music have always been driven by changes in technology and an eye on the bottom line. so while the shift in emphasis from recorded music to live work has seen any number of bands reunite for one last payday – often through gritted teeth and separate travel arrangemen­ts – the emergence of hologramme­d performanc­es from deceased musicians now ensures greater margins but with none of the hassles attached to feuding bandmember­s.

Which is all well and good for the bean counters and the owners of the late artist’s estate, but less so for everyone else. shorn of the context and circumstan­ces that led to the creation and subsequent presentati­on of a work, what we are looking at here is the gradual death of culture.

this may sound pompous and over-dramatic, but consider the evidence. at a time when new talent is facing increasing challenges in the face of small- to medium-sized venues struggling to stay open, and music platform algorithms determinin­g what gets played and promoted, what’s needed is a concerted effort to invest in our future and not to be stuck in a loop that’s forever reliving the past. Moreover, nostalgia is one thing, but we’re now entering the kind of territory that formed the basis of ridley scott’s 1982 sci-fi classic, blade runner, where someone else’s memories are being experience­d in an ersatz fashion by those who weren’t there.

and let’s not kid ourselves that this is the way for new fans to discover the music. as long as there’s a back catalogue to be listened to, then converts will always be found. supporters will argue that fans will be able to hear freshly unearthed recordings that will be brought to life for the first time while convenient­ly forgetting that things stay buried for a reason. but crucially, the personalit­y and very humanity that beats at the heart of any given musician’s popularity and performanc­e will be removed and replaced by scripted tropes and moves to render the notion of spontaneit­y utterly redundant.

by all means, go and listen to your favourite recordings by your favourite artist but make the effort to look forward and not back. We need to be progressiv­e in our outlook or it’s game over.

Updating the oft-repeated phrase erroneousl­y credited to frank Zappa, watching musical holograms is like dancing to digital architectu­re. and really, where’s the fun in that?

Julian Marszalek

 ??  ?? BLADE RUNNER: JULIAN THINKS THE IDEA OF HOLOGRAPHI­C CONCERTS SHOULD BE LOST IN TIME, LIKE TEARS IN RAIN.
BLADE RUNNER: JULIAN THINKS THE IDEA OF HOLOGRAPHI­C CONCERTS SHOULD BE LOST IN TIME, LIKE TEARS IN RAIN.

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