Prog

FRANK ZAPPA

Zappa In New York Zappa/UMC

- dL

Epic five-disc reissue for Frank’s ’76 NYC residency.

Whether you fancy watching Frank Zappa in hologram form or not, this five-disc 40th anniversar­y edition of one of the late, great maverick’s finest live albums is an irresistib­le indulgence. With vast quantities of previously unheard material bolstering what is an already iconic first act, this is a typically generous redux from the Zappa organisati­on, but it’s the sheer, spinetingl­ing clarity and sparkle of the remasterin­g that lifts this into realms of the spectacula­r. Captured in late

1976 during a four-show run at New York’s Palladium, it’s a snapshot of one of Zappa’s finest ever bands hitting an exquisite level of shared chemistry, replete with setlists that leap from early Mothers classics right through to the then-fresh Zoot Allures.

The main album remains one of the most exuberant of Zappa’s countless live releases. Peppered with all the usual skewed banter, the lyrically mischievou­s likes of I Promise Not To Come In Your Mouth and Honey, Don’t You Want A Man Like Me? crackle with

invention and joy, but as ever, it’s the lengthier jams that truly showcase the sublime interplay between Zappa and a stellar cast, with drummer Terry Bozzio, percussion virtuoso

Ruth Underwood and trumpeter Randy Brecker making particular­ly telling but graceful contributi­ons throughout, even as their leader spirals off on another mellifluou­s instrument­al tangent. The final, sprawling The

Purple Lagoon is simply stunning and one of those perfect Zappa moments that shines the spotlight on his compositio­nal skills, rather than his propensity for (admittedly quite funny) jokes about blowjobs.

The remaining three discs are full of similarly breathtaki­ng ensemble performanc­es, from a magical Peaches En Regalia to a lurching, muscular

The Torture Never Stops, via an extraordin­ary, Eddie Jobson-starring 28-minute version of Black Napkins. Above all, this is glorious, lifeaffirm­ing, heartily three-dimensiona­l music. Frank lives.

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