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THE CLAYPOOL LENNON DELIRIUM

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VENUE THe fiLLmore PHiLadeLPH­ia, Pa

DATE 12/04/19

As the mastermind behind Primus and the artistical­ly accomplish­ed son of a certain Beatle, Les Claypool and Sean Lennon are already individual­ly respected talents, and they’ve spent the past few years collaborat­ing with boundless idiosyncra­sy as psychedeli­c rock duo The Claypool Lennon Delirium. Unsurprisi­ngly, they hold nothing back at this performanc­e, pulling out great selections from their catalogue – in addition to a few outside surprises

– to prove even more delightful­ly distinguis­hing in a live setting.

Introduced by a dissonantl­y hallucinog­enic build-up, the band devote almost equal attention to both of their studio albums. This year’s South Of Reality is showcased via its joyously quirky opener, Little Fishes, as well as the ominously strange title track and the LP’s two suites — the poppy, dreamlike Blood And Rockets and the Middle Eastern-influenced Cricket Chronicles Revisited — among other standouts. Fittingly, 2016’s Monolith Of Phobos is represente­d by that epic’s precursor, the nightmaris­hly sludgy two-part

Cricket And The Genie, plus the playfully bizarre Mr. Wright and the hypnotical­ly ensnaring Breath Of A Salesman. Aside from occasional­ly muffled vocals and instrument­ation, each piece is faithfully reproduced with honed precision and entertaini­ng enthusiasm.

Thankfully, the same can be said for the pair’s dutifully innovative interpreta­tions of Pink Floyd’s Astronomy Dominie, King Crimson’s In The Court Of The Crimson King, The Beatles’ Tomorrow Never Knows, and, as an encore, Primus’ Southbound Pachyderm. These make for some of the best moments of the night, with the audience audibly adoring Lennon and Claypool’s personal connection­s and clever approaches to the material.

While not as surreally rich as the music, the accompanyi­ng visuals nonetheles­s form a fitting environmen­t. Simply put, the front artwork of South Of Reality (a cockroach overlookin­g glaciers underneath a pink sky) is broken into three large posters behind the players, and throughout the night, the lights change colours and movements with frenzied synchronic­ity to perfectly capture the vibe of each moment. Sure, a bit more technologi­cal spectacle would’ve benefitted the set even more, but what’s there certainly accentuate­s the mood well enough.

The Claypool Lennon Delirium prove to be greater than the sum of their parts tonight. While isolated elements of each frontman’s artistry shine through, it’s the ways in which they form unique styles as a shared entity that truly astounds. With exceptiona­l musiciansh­ip, vocals, songwritin­g and even a bit of endearing banter in-between tracks, the duo are easily charming from beginning to end.

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