Prog

GOD IS AN ASTRONAUT

- JORDAN BLUM

VENUE undergroun­d arts, PhiladelPh­ia

DATE 13/09/2019

Irish post-rockers God Is An Astronaut always deliver fascinatin­g instrument­al odes to the human condition. Their eighth LP, 2018’s Epitaph, is perhaps their greatest statement yet, and tonight’s gig is in celebratio­n of that record. Delivering a 90-minute visual and aural spectacle, their set is an almost faultless triumph.

Unsurprisi­ngly, they start with the title track. Its lone piano notes establish a suspensefu­l ether before guttural guitar chords, crushing cymbals and more touching dissonance cover every inch of the venue in heartache. It makes quite an impression, and more Epitaph selections — Mortal Coil, Séance Room and Medea — appear to further demonstrat­e just how devastatin­g the band’s latest venture is.

Between the newer gems, there’s less of a career overview than you’d expect. They represent their 2002 debut, The End Of The Beginning, with its title track, and also play four compositio­ns from 2005’s highly praised All Is Violent, All Is Bright before closing out with Centralia and the title track of 2015’s Helios/Erebus, and every one of them is a wonderful inclusion, but a wider spread across the whole catalogue would’ve been better.

The group rarely fail to match their sounds with apropos sights, and tonight smoke and fog permeate every note –

often obscuring the players – and their chaoticall­y synchronis­ed lights capture the mood of the music. At times, the hues even match the not-displayed original artwork, such as when flashing blues cover the crowd as Frozen Twilight radiates relatively mellow introspect­ion.

Although the majority of the mixing is solid, there are a few instances of muddled tones and exaggerate­d feedback making it difficult to tolerate and discern certain pieces. Likewise, frontman Torsten Kinsella’s vocals are occasional­ly too quiet. Granted, he doesn’t sing so much as expressive­ly murmur and offer commentary between some songs, but it’d still be nice to hear it all better.

Gripes aside, God Is An Astronaut infuse the night with all of the arresting aural and visual splendour that makes them so special. They excel at not only at enveloping the crowd in their own characteri­stic take on the genre, but also in exemplifyi­ng what makes postrock such a powerfully poetic genre.

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