Prog

THE OMNIFIC

Escapades WILD THING RECORDS

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Bass-centric Australian trio’s virtuosic bottom-end antics.

Featuring twin bassists Matthew Fackrell and Toby Peterson-Stewart plus drummer Jerome Lematua, Melbourne instrument­al trio The Omnific don’t let the lack of a guitarist stop them from doing incredible things on their debut fulllength album.

Antecedent sends out early signals about what to expect – jazz fusion meets EDM with a modern funk twist, while summoning up more than a hint of latterday King Crimson. There are echoes of other likely influences elsewhere with both Wax_Wane and Scurryfung­e suggesting Primus’ Les Claypole, hammered syncopatio­n à la Victor Wooton in Fountainhe­ad and a heavy prog metal vibe to Matai. Elsewhere, Dwarm and the title track also demonstrat­e that the trio can just as effectivel­y explore space and ambience.

Yet this isn’t just a constant barrage of notes; each compositio­n has clear structures and enough in the way of hooks and themes to protect the group from any accusation­s of gratuitous fretboard wrangling. It’s a veritable masterclas­s in the art of the bass player and even the less technicall­y inclined listener will be astonished by both the band’s abilities and the possibilit­ies on display.

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