Prog

ANDY WHITE

Soft Machine’s early albums helped the Tonstartss­bandht vocalist and guitarist find himself… and his sound.

- Petunia is out now via Mexican Summer. See www.facebook.com/ tonstartss­bandht for more.

“At the beginning of my adolescenc­e, my brother [Edwin, Tonstartss­bandht’s drummer and co-vocalist] and I fell into a group of people in Orlando who were finding themselves at the same time as they were finding music. We soon realised we liked more experiment­al forms of rock’n’roll and pop and I first became familiar with the members of Soft Machine through their solo work.

“This guy called Calvin, who worked in a record store, would give me cool music when I was younger. He dug out the Robert Wyatt album The End Of An Ear, and was like, ‘This is an incredible record, you should get this’. I was probably 14 or 15 at the time.

“I loved that record, and I was really into Gong’s Angel’s Egg before I realised that Daevid Allen [had also been] in Soft Machine. I really dug Live Floating Anarchy 1977 too. Then I got a copy of Whateversh­ebringswes­ing by Kevin Ayers and, realising all these guys were in Soft Machine, I got a copy of Third – that was my first Soft

Machine album.

“It sounded way different from the solo work but I loved it because it was so heavy, and I just went backwards from there. The way the whole of Third sounds, it’s that style of recording that you just don’t hear anymore, it feels like you’re in the room with them.

The way the organ is mic’d just feels like you’re about eight feet away from the guys playing music. Facelift is one of my favourite tracks – the organ tone is crazy. I used to smoke a ton of weed and it’s such a nice heavy riff to play along with.

“I’m always drawn to Third because it’s the first one I heard, but in the last few years I’ve been listening to [debut] The Soft Machine the most. It’s more compositio­ns with a bit of improv tying them together. I read a Robert Wyatt quote about why he wrote such long songs and he replied to the effect that if you don’t stop in-between songs, no one can boo you on stage. I can kind of relate to that!” NRS

“Facelift is one of my favourite tracks. It’s such a nice heavy riff to play along with.”

 ?? ?? CREAM OF THE CROP: WITH A TASTE FOR THE MUSIC OF ROBERT WYATT, DAEVID ALLEN AND KEVIN AYERS, ANDY WHITE (INSET) SOON FOUND HIS WAY TO
SOFT MACHINE.
CREAM OF THE CROP: WITH A TASTE FOR THE MUSIC OF ROBERT WYATT, DAEVID ALLEN AND KEVIN AYERS, ANDY WHITE (INSET) SOON FOUND HIS WAY TO SOFT MACHINE.
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