Prog

SPIRITUALI­ZED

Everything Was Beautiful BELLA UNION

- DOM LAWSON

ONE OF THE MOST POTENT EXPRESSION­S OF PIERCE’S VISION TO DATE.

British psych veterans overdose on the overblown.

Recorded at 11 different studios and featuring more than 30 musicians, Everything Was Beautiful might not be particular­ly ambitious by Spirituali­zed standards, but it certainly makes most other bands’ efforts seem a bit feeble. As ever, the multilayer­ed magnitude of Jason Pierce’s psychedeli­c creations takes the breath away from the very start of his band’s ninth full-length: Always Together With You is both archetypal Pierce nursery rhyme and sumptuous, symphonic reverie, and one of his most immediate and affecting songs yet.

If 2018’s And Nothing Hurt was a more stripped-down and delicate take on the Spirituali­zed formula, this album marks a partial return to the widescreen psychedeli­a of the band’s critical peaks, Ladies And Gentlemen We Are Floating In Space and Let It Come Down. With a skittering krautrock beat and huge surges of brass and strings, Best Thing You Never Had is garage rock stretched to the mystic max, Pierce’s deadpan vocals hanging in the foreground like illicit secrets. Let It

Bleed is an impossibly lush ballad; laced with the magical ripple of a Hammond organ, it waltzes gracefully towards a startling gospel finale. In contrast, Crazy is a beautifull­y elegant and unfussy country rock tear-jerker, with Pierce demonstrat­ing his gifts for both pathos and the gentle subversion of clichés.

The album’s second half dives deeper into the mushroom tea, and offers some of the most adventurou­s and mindbendin­g music that Spirituali­zed have ever released. Mainline harks back to the hazy throb of 1995’s Pure Phase, but with a warmer and bigger overall sound. Three minutes of exquisite, bubbling psych pass by before Pierce starts to sing, and then his circular refrain builds and builds, with more brass, more strings, exuberant backing vocals and the reassuring howl of a Fripp-esque fuzz guitar motif all fizzing in the mix.

The A Song (Laid In Your Arms) maintains the maxed-out approach over a loping, bluesy groove: roughly halfway through the song, an insane storm of freeform noise erupts, before a chaotic and adrenaline-drenched final fade to black. Best of all, the closing I’m Coming Home Again shares a few slivers of DNA with Cop Shoot Cop, the astonishin­g closing track from Ladies And Gentlemen We Are Floating In Space. Ten minutes of meandering voodoo rock, it’s the closest that Spirituali­zed have come to penning an authentic swamp blues song, and Everything Was Beautiful’s wonderfull­y organic and live-sounding production only adds to the unfolding magic.

Grand ambitions realised: this is one of the most potent expression­s of Pierce’s vision to date.

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