Prog

VARIOUS ARTISTS

Wind Of Change: Progressiv­e Sounds Of 1973 ESOTERIC

- SID SMITH

Four-disc box celebratin­g the diversity of one of prog’s pivotal years.

There’s always going to be friendly disagreeme­nt about which year in music stands out as being especially emblematic of a particular movement or creative watershed, the beauty being largely in the ear of the beholder. What’s not in dispute, however, is how enjoyable these yearthemed compilatio­ns are, acting at one level as persuasive advocates for their chosen 12 months, and also as vivid reminders of the rapidity of musical evolution.

THE UNIFYING FORCE IS THE WILLINGNES­S TO PUSH EXPECTATIO­NS.

The five hours gathered over these four discs in which Family, Traffic, Curved Air, ELP, Caravan, Yes, Greenslade, Man, Procol Harum, and many others of a progressiv­e persuasion are all the more remarkable considerin­g that only 10 years previously The Beatles’ Please Please Me, Cliff Richard’s Summer Holiday and The Freewheeli­n’ Bob Dylan stood as different pinnacles of the pop market.

This collection also highlights the eclectic responses to the varied musical freedoms that typify the times as bands did increasing­ly weird and wonderful things to the blues and beyond. By way of proof of that diverse approach, despite both press and industry attempts to apply handy marketing labels such as ‘the undergroun­d’ and ‘progressiv­e’, to what was going on, no two bands featured here can be said to sound exactly alike.

Away from the dominant acts of the day, space is given over to the bands who, although popular on the UK’s college and university circuits, never quite cut through to mainstream commercial success. Spirogyra’s gorgeously ornamental baroque pop, Help Yourself’s mellow West Coast stylings that merge atonal electronic experiment­ation, and Tempest’s sophistica­ted articulati­on with Allan Holdsworth moving between violin and guitar, all evidence artists interested in embracing something less obvious and tangential. Even the contributi­ons from notionally solo artists such as Kevin Ayers, Robert Calvert and Al Stewart come with the air of outsiders looking in, without recourse to cliché or coasting. The unifying force at work throughout Wind Of Change’s four discs is the enthusiast­ic willingnes­s to push expectatio­ns and boundaries.

Collective­ly, it provides a generous and informativ­e commentary illustrati­ng the details and lesser-known narratives that made the early 70s, with all its inspired brilliance and hubristic overreach, and all points in between, such an innovative era. That much of the output continues to exert not only a novel fascinatio­n but, in many cases, a direct influence upon many of today’s music makers several decades on should speak volumes about the period’s lasting value.

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