Prog

TANGERINE DREAM

- JEREMY ALLEN

VENUE THE LONDON PALLADIUM, LONDON

DATE 08/11/2023

The godfathers of kosmische playing at London’s mecca of light entertainm­ent might seem like a mismatch on paper, but once Tangerine Dream are in full flow it all begins to make sense. Light entertaine­r Bruce Forsyth’s ashes are buried under the boards of the Palladium’s stage, and everyone from Arthur Askey to Zsa Zsa Gabor look down from the walls of its Edwardian corridors. The Tangs, too, carry ghosts with them, not least of all Edgar Froese, who led the good (space)ship TD for 48 years until his death in 2015.

Any concerns about the current trio fitting in are soon allayed when Thorsten Quaeschnin­g takes to the stage. The custodian of the group in Froese’s absence has the aura of an old-school magician, genteel in his style of presentati­on and dressed in a suit that wouldn’t look out of place at The Magic Circle, and he bows respectful­ly and addresses the audience as if one of the Saxe-Coburgs is in the Royal Circle: “We’ll be playing some old tracks, some new tracks and some very old tracks,” he informs us.

Quaeschnin­g is flanked by Japanese violinist Hoshiko Yamane to his right and the newest member of the band, Paul Frick

(also of Brandt Brauer Frick), playing synthesise­rs to his left. Like the classic trio of Froese, Christophe­r Franke and Peter Baumann, each takes possession of their part of the stage while simultaneo­usly aligning sonically as part of a symbiotic machine. The tour is billed as From Virgin To Quantum Years, and sure enough, they commence with the mighty Phaedra, the title track from the 1974 album. On Phaedra, Franke introduced the sequencer to electronic music for the first time, a gamechange­r immeasurab­le in its influence.

Then comes an array of songs that feel somewhat randomly generated – though when a band has more than 100 albums and each song takes around quarter of an hour to unfurl, there will always be questions as to why, say, the songs from

Force Majeure have been overlooked for

Rare Bird, a hidden track from the live

Poland album. That said, the fact they’re playing so much newer material –

Genesis Of Precious Thoughts from

2017’s Quantum Gate, for instance – demonstrat­es a band unapologet­ically confident in moving forwards, as they should be. Most recent studio album, 2022’s Raum, is almost certainly Tangerine Dream’s finest since the mid-80s and, accordingl­y, new instrument­als Continuum and the title track stand up well against White Eagle

and Love On A Real Train.

Admittedly, come the interval, the mid-paced peregrinat­ions have started to feel a little leaden, though the trio bound back in and return to their quads like office workers coming back from a boozy lunch. The second act is where the real gems are hiding: Betrayal (Sorcerer Theme) ambulates elegantly mid-air before descending like a jet coming into crash-land. The more recent Portico blips pleasingly like a cosmic vital signs monitor, and perhaps best of all is Los Santos City Map, a progressiv­e electronic epic that reinterpre­ts Froese’s cinematic score for the

“IF TANGERINE DREAM BECAME AN IRRELEVANC­E DURING THE 1990S, RECENT NODS FROM

STRANGER THINGS AND BLACK MIRROR HAVE PROPELLED THEM BACK TO A KIND OF RELEVANCY THEY’VE NOT ENJOYED SINCE THE VIRGIN YEARS.”

video game Grand Theft

Auto V. If Tangerine

Dream largely became an irrelevanc­e during the

1990s, recent nods from meta pop culture must-sees like Stranger Things and Black Mirror have propelled the Tangs back to a kind of relevancy they’ve not enjoyed since the Virgin years. There’s one final treat in store when Nick Beggs sashays onto the stage dressed in skin-tight black leather for the final session of the night, an improvisat­ional piece in D minor (chosen because it reverberat­es with the resonance of the room). Quaeschnin­g introduces Beggs as “probably the best bass guitarist in the whole world”. No pressure then. The revered musician brings his anaconda-like Chapman Stick to proceeding­s, and while some of what he does falls slightly flat, other moments are truly transcende­nt, which is a bit like the entire career of Tangerine Dream in microcosm. Nice to see them, then… to see them, nice.

 ?? ?? A SEEMINGLY RANDOM SETLIST, DELIVERED WITH STYLE.
A SEEMINGLY RANDOM SETLIST, DELIVERED WITH STYLE.
 ?? ?? HOSHIKO YAMANE, THORSTEN QUAESCHNIN­G AND PAUL FRICK: THREE IS THE MAGIC NUMBER.
HOSHIKO YAMANE, THORSTEN QUAESCHNIN­G AND PAUL FRICK: THREE IS THE MAGIC NUMBER.
 ?? ??
 ?? ??
 ?? ?? THORSTEN QUAESCHNIN­G HAS US UNDER HIS SPELL.
THORSTEN QUAESCHNIN­G HAS US UNDER HIS SPELL.
 ?? ??

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