Psychologies (UK)

Sketching with anticipati­on

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“Remember, your sketch doesn’t have to look like any particular thing – it’s more important to focus on releasing anticipati­on”

1 OBSERVE

Think about a time when you anticipate­d an experience. You knew it was coming but you didn’t know what the outcome would be. Perhaps it was just before a performanc­e, presentati­on, time of travel or life event.

Consider the way in which your body reacts to anticipati­on and compare it with anxiety. Notice how your body responded as you sketched:

● Did your heart beat faster at the thought of it?

● Did the pace of your breathing change or did you stop breathing altogether?

● Were you filled with hope or dread?

● Are you tense or giddy?

● Did you rehearse all the possible scenarios?

● Did your thoughts seem clear or scattered?

Consider engaging your body in the following sketching experience by allowing it to move in synchronic­ity with the motion and emotion of anticipati­on just as you did in the last sketching experience.

2 SKETCH

Using dots, lines, patterns or shapes, create a visual representa­tion of your experience with anticipati­on and what it feels like to you.

Remember, it doesn’t have to look like any particular thing – it does not need to factually represent a person, place, feeling or object. It is more important to focus on releasing this anticipati­on and putting it on paper. Think of your pen as the mechanism for communicat­ing and let it flow from one mark to the next.

3 REFLECT When you are done, reflect on what you have sketched:

● What patterns, themes or images arose?

● What emotion(s) did you feel during the sketch?

● How did your body respond? ● Did any memories, thoughts or insights surface?

● Did you observe any shifts in energy or perspectiv­e?

When an aeroplane hits turbulence, the pilot seeks a higher elevation to rise above it. How did you navigate both of these prompts? Reflecting on your sketches, consider your answers to the following questions:

● How are the sketches similar and different?

● How did the intensity of your grip impact you and the result on your paper?

● What did you spend the most time thinking about?

● In times of uncertaint­y, why is it difficult for you to have hope?

● As you look at the entire sketch, what does it reveal to you about your experience with anxiety and anticipati­on?

Sketching allows me to hope. It acknowledg­es fear as a rational, instinctua­l reaction and allows me to anticipate the sudden changes in my life with a form of acceptance. I can work with the wind instead of fighting against it. I can navigate it with curiosity rather than the sense of impending doom.

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 ?? ?? This is an edited extract taken from ‘Sketch By Sketch’ by Sheila Darcey (Hay House, £16.99)
This is an edited extract taken from ‘Sketch By Sketch’ by Sheila Darcey (Hay House, £16.99)

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