Perfect harmony
Eager to celebrate the original features of their Victorian terrace, Karla and Andy have created a modern family home with plenty of period character
WHY Karla’s HOME CAUGHT OUR EYE
When we first came across Karla’s home, it was the stunning quarry kitchen tiles that got our attention. Contrasting with the modernity of the sleek white kitchen, it’s one of many examples of the careful way Karla’s treated her Victorian home. Inheriting it in a decent state – complete with an open-plan kitchen and French doors to the garden – she’s been able to put her own stamp on the property while keeping its most precious features, including the original sash windows, fireplaces and bannister, intact.
In fact, Karla has gone so far as to celebrate them, restoring the original Victorian tiles of the hallway to their former glory and keeping, but painting over, the textured wallpaper that was there when she moved in. That isn’t to say that her home hasn’t moved with the times, though. Knocking the living and dining rooms through to each other has flooded the middle room with much-needed light, and a loft conversion provides daughter Amelia with her own little sanctuary up in the roof. Karla talks about how she’s balanced new and old over the page…
Over to Karla...
When we saw this house, we were drawn in by the original features. There were so many and they’d been so well-kept throughout the years – since 1901, basically. We lived in the house for a year to get a feel for it before we did anything. We knew the floorboards needed sanding, the fireplace mantles needed replacing, and the kitchen needed an update, but we hadn’t even considered anything like a loft conversion.
All it needed was a lick of paint.
‘I love making a feature of the traditional elements of the house, but my taste is quite modern – I like things to be clean, and everything to have its place. I get lots of ideas from magazines and the internet, save them in folders and revisit them. Trying out dark paint was the scariest – it feels like a bold move before you do it. We lived in military housing with magnolia walls for 20 years, so when dark interiors started taking off on Instagram and Pinterest, we decided to give it a go. We still love our darker living room even now.
‘One of the first things we did was to knock down the wall between the living and dining room. It was messy, but it was so effective for how inexpensive it was. It opened up the whole of the front room – the light is amazing now. We never used to go into the dining room at all because it was so dark. It had one window but it didn’t get any light because there are houses behind us.
‘The builder who did the work put all the coving back on afterwards so it matched the rest of the ceiling. We discovered at that point that the floorboards in the front room and the dining room run different ways. I put a rug in to cover the join and make it flow a little better.
‘We use the space so much more now. Thanks to the open fire it warms up nicely, and it’s still so bright in winter because of the big bay window at the front.
Dining room ceiling light, Laura Ashley. Dining table, John Lewis & Partners. Chairs, Cult Furniture. For a similar bar cart, try Wayfair
The kitchen we inherited when we moved in was 10 years old and really dated. We knew we’d need to put a new one in. The cupboards weren’t in good repair and it wasn’t the layout I wanted – it wasn’t social enough. The space had already been knocked through by previous owners, but replacing the kitchen itself was one of the first things we did. We had to buy a few new quarry tiles that were missing from underneath the old kitchen but I knew I wanted to keep them – they’re an original feature and they’re still in such good condition. In fact, they sold us the house along with the tiles in the hall. I don’t know how people can carpet over them!’
‘When we were choosing the new kitchen, I wanted a sleek, modern design.
The kitchens in military quarters were always really dated with nowhere to put anything, so this needed to be the opposite of that. We also decided to opt for light units to prevent the room from feeling gloomy and make the tiles pop. We went to lots of different shops and ended up at Wickes. I just love the clean, slimline look. We kept it all white so that the only colour comes through the floor tiles and accessories.
The handrail on the bannister was the original pine, while the stairs and spindles were white. Everything needed painting and there was carpet running up the middle that wasn’t fitted properly, so it was dangerous. We ripped it up and put an inexpensive beige runner up the middle. I painted the stairs myself and it took forever! I’d seen someone use a runner with edging – I found a stockist of Alternative Flooring to come and fit something similar.
‘There was original wallpaper on the bottom half of the wall that we didn’t dare pull off, so we painted over it. You can still see a bit of the pattern and it has a lovely texture. All the houses along the road had stained glass in their front door except for us, so we restored that, too.
Opposite Stair runner,
Vogue Carpets. Walls painted
in Off Black, Farrow & Ball. Right Capri console table,
Laura Ashley
Apart from one window in the kitchen, the rest were all originals. We thought we’d be able to keep them, but after living through the first winter, we realised they needed to be replaced – it was so draughty! We put in new UPVC sash windows at the back, but because we live in a Conservation Area, we had to leave them in at the front.
Sash windows, Roseview Windows, fitted by Strata
We decided not to go dark in the bedroom because we worried it wouldn’t feel like a calm, relaxing space. Instead, we opted for Farrow & Ball’s Elephant’s Breath. We were going to keep it white but it felt like the room needed warming up. The design is quite Scandi, with lots of wicker and beige tones. We wanted a toned-down, chilled-out room where we can unwind at the end of the day. All the furniture in here we brought from our old house, so there’s nothing new except the baskets and the lampshade.
Walls painted in Elephant’s Breath, Farrow & Ball. Carpet, Vogue Carpets. Bed, Laura Ashley. Prints, New Icons of Print and Mark Spain limited edition from Bradbury Graphics of Belfast. Woven wallhanging, La Redoute.
Bedside tables, Ikea
Once we’d moved Amelia up into the loft, it gave me a spare room to create a dressing room. In my opinion, it’s the best room in the house. My dad says it’s the most expensive dressing room he’s ever seen – after all, we did a whole loft conversion for it!
Wardrobes and unit, Ikea. Curtains, Laura Ashley. Walls painted in Elephant’s Breath, Farrow & Ball. Carpet, Vogue Carpets
We did the loft last, but in hindsight, we should have done it first – it was an absolute mess! We had to replace all the carpets on the middle floor and staircase. In an old house like this, when you start knocking things down, the dust is black, so it was messy.
‘The whole thing took three months. It’s like Amelia’s own little apartment. She chose the décor; she didn’t want pink any more so settled on a blue-green colour. There isn’t a bathroom up there because we wanted space for clothes, but she’s otherwise pretty self-sufficient – she has a desk for study, and she loves having friends over so they can hang out upstairs.
Walls painted in Vardo, Farrow & Ball. Bed, Next. ‘Amelia’ letters, Posh Graffiti. Dressing table and stool, Ikea