Red

WHAT I WISH I’D KNOWN AT 20

Four of Red’s favourite women share what they’ve learnt

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I’ve discovered, if you’re in a long-term relationsh­ip of any kind and any gender, you’ll have more than one relationsh­ip with that person. I’m in a long-term relationsh­ip [with actor Greg Wise] and I’ve learnt you’re not going to have the same relationsh­ip after 20 years as the relationsh­ip you had when you met – people change and it’s important to be honest about that. When couples say they’ve had two decades of unbroken bliss, they’re lying. Within that time your relationsh­ip will die and come back as a new one maybe four or five times. If you’re

lucky, it’ll be with the same person. When things do go peculiar, the world isn’t falling apart – the old relationsh­ip is making way for the new one. I’ve had the same three best friends since my teens. They are the rock upon which I put my feet, especially if I’m feeling wobbly. I’ve known my best schoolfrie­nd since I was nine. Now our children are nearly grown up, we’re going to be able to holiday together again!

I’ve never had any preconceiv­ed ideas about family – whether I wanted one or, if I did, what kind. Thinking ahead too much makes it more difficult to be alive to the present. It’s nice to have dreams, but understand they might not come true. They’re dreams for a bloody good reason! I became a parent nearly two decades ago. What do I wish I’d known back then? Anything! Parenthood is synonymous with guilt and everyone thinks they’re a terrible parent. Mostly I was ignorant and learnt the hard way. While we were ‘good enough’ parents, I wish I’d known more about the brain developmen­t of children and teens. Our neighbours had a daughter two years before us, and seeing her develop helped when our daughter was born. It’s also helpful to look at your own parents, consider where you think they got it right and wrong, and try not to repeat their mistakes – but that’s another whole nest of vipers! Ultimately, it’s useful to bring up children with consistenc­y and calm, though I don’t think I was consistent­ly calm or calmly consistent! If a parent can be observant but non-judgementa­l, so a child feels seen and loved but not defined, that’s great.

Throughout my career, I’ve been lucky because I do writing and acting, and when there’s been no acting

I’ve been able to make a living writing. My mum was emancipate­d and I’ve been financiall­y independen­t from a young age; my father died young and I started earning at 20 – I didn’t have a choice. I consider it fortunate that I’ve never had to do work I’ve hated. Some people have to do jobs they don’t much like, so to be able to make a living as an artist is, frankly, a bloody miracle. I don’t know what a normal job is like. Actors are used to feeling insecure, whereas some people aren’t. If you’re going through a career rough patch and circumstan­ces allow, take some time out and give yourself space to look around.

I find the concept of ‘success’ flat and uninterest­ing – our society places too much emphasis on it, and not enough on the importance of failure and disappoint­ment. I wish I’d known that success is a byproduct, not something to be strived for. The process is the most important thing. Besides, consider the corrosive effect of great fame on people like George Michael and Amy Winehouse – it’s difficult to shoulder. Small success is best, then you can build on it slowly.

Actors and writers get minty about critics, but I’ve learnt you need strangers who are willing to say why they do or don’t like your work; it makes you look afresh at what you’ve done. What’s much harder to deal with – and takes more work – is the inner voice, self-criticism. I don’t know anyone who doesn’t have it, but you can’t allow it to drown you out; you have to make friends with it. That niggling inner voice has caused me severe depression in the past. My friend calls it ‘Shit FM’ – the channel in your brain that says you’re not worthy.

You need to be able to access the knob that muffles it out.

Now I’m older, people behave themselves on set around me, but I’ve felt compelled to speak out in work environmen­ts in the past. When a young actor was asked to lose weight by producers, I objected – loudly. If I hear anything like that, I will say something. When you’re young or inexperien­ced it can be scary to speak out for others and you sometimes feel it’s not your place.

But I’ve learnt that if you don’t join your voices, you might be hauled off yourself. It never occurred to me not to add my voice to the Harvey Weinstein conversati­on. When Newsnight asked me [for an interview], I knew

I’d regret it for ever if I didn’t speak. It felt terribly important to say what I had to say – he is a predator, and there’s a broader problem with extreme masculinit­y harming women and girls.

I don’t harbour career regrets – what would be the point? In 1987, I made a TV series that was a humiliatin­g failure – the greatest failure of my life – but out of it came my friend, producer Lindsay Doran. She asked me to write the screenplay for Sense And Sensibilit­y, so in a way, my greatest failure birthed my greatest triumph. That said, there are aspects of the acting industry I don’t care for, such as red carpets. I’ve never liked the process, but recognisin­g they’re part of the job makes it easier – I’m not trotting up it for the good of my health. At my first Oscars, a fashion reporter said, ‘She looks dowdy in anything’. I wore that as a badge of honour for years! I’m grateful when stylists help me, but I’d be perfectly happy not bothering. Honestly? I don’t give a toss.

‘I FIND THE CONCEPT OF “SUCCESS” FLAT AND UNINTEREST­ING’

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 ??  ?? Sense And Sensibilit­y: ‘My greatest triumph’
Sense And Sensibilit­y: ‘My greatest triumph’
 ??  ?? Emma with husband Greg Wise
Emma with husband Greg Wise

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