Rochdale Observer

Getting back on stage, doing what I was born to do, was just amazing

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I was recovering from the virus and I wanted to help other artists who were out of work.

It’s hard if you are out of work for a week, let alone 15 months. Help can mean the difference between paying your bills and going bankrupt.

I worked with two charities to give some cash help and I bought a £100 microphone and recorded the single in my house.

I sent it to Michael Ball and he played it on his radio show and everything went crazy. It went to number two in the itunes chart and they played it at the US Open last year.

Now a whole album has come out of it.

Our first time on stage was filming for (BBC’S) The One Show and just getting back on stage, doing what I was born to do, was amazing.

I’d not done it for 15 months and it was a bit weird, but so exiting.

We just want to bring some joy to people.

That’s what we need right now and, hopefully, we’ll be playing to packed theatres again soon.

And, when Hairspray finishes, I will be going on tour with the album. I can’t wait to see all these different parts of Britain.

We were like the Jackson Five. My mom pushed me to sing and I actually started when I was five or six years old singing at funerals.

I wouldn’t even know the people I was singing for, but it taught me not to be afraid of singing in front of an audience.

I grew up on a pig farm in North Carolina. I was a country bumpkin and had never gone to see a Broadway show, but I had a high school teacher who taught me about Broadway and took me to see my first show and helped me go to university to study.

It only takes one person to believe in you and then the whole world opens up to you.

The Book Of Mormon was my first big show on Broadway and then we took it out across America on tour for the first time.

It was an amazing experience and I worked with the people from South Park. I didn’t even have an agent at the time and I got the part after attending an open audition.

The first time I came to Britain was for Dreamgirls to cover for Amber Riley who was ill. It was supposed to be for three weeks, then it was six months and then I took over the role.

I had never been to London before in my life and they put me in this really nice apartment in Pall Mall. I looked down the street and there was Buckingham Palace.

(Laughs) I was living next door to the Queen. contracted Covid at the pandemic dle of the night, after a few drinks, I sent it and the next day they got in touch and said they wanted me to meet the director.

(Laughs) The first read through of the script was on Zoom and I just kept thinking ‘I can see into Lisa Kudrow’s house’.

When I got The Book Of Mormon it was nine months before the job started. I was living in New York and I thought ‘What am I going to do to make some money?’

So I signed on with an agency called Artist Babysittin­g. I made great money and I ended up looking after different celebritie­s’ kids on and off. I used to nanny for the late Philip Seymour Hoffman’s kids.

I hadn’t met him, I had been dealing with his wife, but he came up in the elevator as I was leaving... and he gave me a $50 tip.

■ Marisha Wallace can be seen playing Motormouth Maybelle in the West End production of Hairspray alongside Michael Ball (londoncoli­seum.org) before she goes on tour at the end of August.

Visual effects artists who worked on Star Wars: Episode VIII – The Last Jedi and Blade Runner 2049 flex their digital muscles in a sci-fi action adventure directed by Luke Sparke, which is a sequel to his 2018 film Occupation.

Otherworld­ly beings orchestrat­e a devastatin­g intergalac­tic invasion of Earth, determined to make the third rock from the sun their new home.

Two years after the invasion, human survivors in Australia have formed a fragile resistance with renegade aliens to fight back against the threat in a bloodthirs­ty ground war.

These brave soldiers, from all walks of life, uncover a terrifying plot that could signal the end of mankind forever. ■

Lisa Jewell’s transition from romance novels to thrillers has been hugely successful, and The Night She Disappeare­d is a classic mys t e r y- meetsthril­ler.

Teen mother Tallulah goes missing after a party at a country mansion, and a year later author Sophie moves to the area and starts hunting down clues.

Will she find out what happened to Tallulah? And is everything as it seems?

Zakiya Dalila Harris’ debut is one of the most hotly anticipate­d books of the year.

Loosely based on her own experience­s in publishing, it’s a modern day horror story that will have you on the edge of your seat.

Nella is a young black woman struggling to get ahead in an all-white office, where she has to put up with microaggre­ssions on a daily basis, so she’s surprised when another black girl joins the company and starts thriving.

The real drama begins when Nella

Lisa Taddeo found fame with 2019’s Three Women, a non-fiction book exploring the sexuality of women from different walks of life – and Animal is her debut work of fiction.

The book follows Joan, desperatel­y fleeing New York for Los Angeles. It’s depraved, gruesome and confrontin­g as Joan looks back on the traumas of her past.

Not an easy read, but it will no doubt be just as successful as Three Women.

You’ll have to wait for September to arrive before getting your hands on the latest Richard Osman novel and follow up to his smash hit, The Thursday Murder Club – but it will no doubt be worth the wait.

The Man Who Died Twice rejoins the gentle but cunning quartet of geriatric amateur sleuths, Elizabeth, Joyce, Ibrahim and Ron, as they’re enlisted to help an old mobster friend of Elizabeth’s.

Diamonds and red herrings will likely abound.

The stakes are high

Author of the acclaimed Daisy Jones & The Six, Taylor Jenkins Reid’s latest novel, Malibu Rising, revolves around the decadent summer party of the Rivas family.

A glittering cohort of surfers, models and photograph­ers, the siblings are set to host one blazing night of drinking, dancing and family secrets, on a truly combustibl­e August night.

Sexy, sultry and full of intrigue, it’s ideal reading fodder, as long as you have an ice-cold drink by your side.

A huge hit in America (it’s a Reese Witherspoo­n Book Club pick), this modern love story will have you suitably hot under the collar come the summer holidays.

Eva, a single mom and erotic writer, bumps into a former fling, Shane, at a literary soirée in New York, and things get electric.

Across seven days, sparks fly, memories are rekindled, and questions are asked. Bold, romantic and sharply drawn, Seven Days In June will scorch your synapses in the best possible ways.

by Jessie Cave is published in hardback by Welbeck, priced £12.99 (ebook £13.33).

Every summer, Hannah and Ruth go on a budget holiday together and, like many sisters, the pair are complete opposites.

Then a freak accident changes everything between them.

Heavily influenced by the death of Jessie Cave’s brother and her relationsh­ip with her sister, Sunset is a powerful insight into the deep and complex bonds between siblings.

The conversati­onal and casual style of writing is a striking contrast with the gut-wrenching emotions being played out.

Heart-achingly beautiful, both warm and littered with observatio­nal humour, it is a stunning debut about the raw and destructiv­e power of grief.

 ??  ?? Marisha Wallace, left, start of the
Marisha Wallace, left, start of the
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From left: Authors Stacey Abrams, Sally Rooney and Paula Hawkins
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