Scan Magazine

Not just another brick in the wall

- By Louise Older Steffensen | Photos: Randers Tegl

If you think creatively enough, you can do just about anything with bricks these days: a look at the new façades in the centre of Stockholm or Oslo proves that new brick buildings are anything but boring. Asymmetric­al angles, skyscraper­s and entirely round buildings can be made with bricks these days. The brick façades look deceptivel­y simple when they’re done, but that belies the complicate­d and interestin­g journey it has taken to get them to that stage.

The writing in the wall

“We like to say that anything is possible,” says Randers Tegl’s marketing director, Laust Ejstrup. “If you want to do something challengin­g with bricks, we’ll figure out how it can be done.” Randers Tegl includes a large team of expert engineers and architectu­ral technologi­sts, who have specialise­d in figuring out how to make seemingly impossible constructi­ons come true. Most of their efforts aren’t visible once the building is complete, but without them, many modern-day brick buildings simply couldn’t hold their own weight.

Randers Tegl is one of Scandinavi­a’s largest producers of bricks and rooftiles, but its influence stretches far beyond northern Europe. With exports going as far away as Australia, Randers Tegl has helped shape cityscapes all across the globe and pushed the boundaries of the possible, allowing architects and contractor­s to create brick-based buildings that wouldn’t have been possible earlier.

One of their industry-changing innovation­s was the Carlsberg Bjaelker™ beams and lintels, which allowed Randers Tegl to construct large pieces of reinforced, prefabrica­ted wall that look no different to the other bricks

once the building is completed but add a great deal of strength and flexibilit­y to the constructi­ons. “Innovation­s such as the prefabrica­tion of certain wall segments have really pushed the boundaries of what we can do with brick,” Ejstrup explains. “We’re able to offer up architectu­ral solutions that compete with any other type of modern building material, and I think that’s exactly what was needed in order for brick constructi­ons to take us safely into the future, having served us very well in the past.”

Building for generation­s

“We seek to make buildings that will last and which will serve future generation­s just as well as our own. A lot of modern constructi­ons have been built for their short-term impact and a quick profit, with no thought as to how they will look in a hundred years’ time.

That’s a terrible tragedy,” Ejstrup says. “Bricks last – just look at Børsen in Copenhagen, which is more than 400 years old, or at the medieval bricks from Hammershus Castle. We have a responsibi­lity to future generation­s to make things that won’t need to be torn down again in 50 years’ time.”

Brickworks have been criticised for having a larger immediate carbon footprint

than some of their competitor materials. The picture is very different when the durability and hardiness of bricks are taken into account, however. Once they are in place, bricks need very little in terms of maintenanc­e and treatment, and they will hold their own even in the unforgivin­g weather of Scandinavi­a. “We are very conscious of making a positive impact in the world we’ll leave behind one day. We’ve already taken steps to greatly reduce waste, and we continue to make our footprint smaller through technologi­cal innovation.”

50 shades of clay

Historical­ly, half of all bricks and tiles produced at brickworks would have to be thrown away after burning. Nowadays, Randers Tegl wastes exactly zero per cent of its output. The production process is finely tuned, and each step on the way can be carefully monitored to ensure that the final bricks are exactly what Randers Tegl’s clients were looking for. “Though we end up with such a solid material, making bricks is a very intricate, delicate process, which always starts with top-quality clay. Denmark has the perfect soil conditions for production – we were lucky that Ice Age glaciers shaved the top layers of Sweden and Norway and deposited the clay in Denmark and northern Germany. We received the most superb red and yellow nuances, while northern Germany got the white and grey clay,” Ejstrup says.

“The compositio­n of the clay is all to do with the depth at which it is excavated and an area’s specific compositio­n. The amount of chalk impacts the colour, and we’re able to bring out further nuances through, for example, double-burning red bricks, which draws out the oxygen and brings out a blue hue,” he explains. “We’re also lucky enough to have multiple brickworks throughout Denmark and Germany that we can draw from, which allows us to provide our clients with bricks ranging in colour from the lightest white to the darkest black.”

Tradition and ingenuity

A beautiful example of both the constructi­on ingenuity and the colour

range that Randers Tegl is capable of is the light and elegant residentia­l block Basaren, located in the heart of Stockholm. White bricks have been used to create perfect ovals, endowing the building with a smooth and airy feel. In reality, it necessitat­ed new ways of thinking and ingenious structural support systems to make the building stable, but the result has become an architectu­ral pearl strong enough to ensure that no one ever has to worry about the structure again.

The Bjørvika area in Oslo has been completely redevelope­d in recent years and shows off some of the world’s best examples of modern brick architectu­re. The Barcode strip has added a whole new skyline to the northern capital, and one of the most striking in the row of unusual skyscraper­s is Dronning Eufemias Gate 42. Here, Randers Tegl bricks and technology have been used in a completely different way to Basaren, with sharp angles and hovering brick-clad boxes providing the best possible use of space inside and out.

Ingenuity is just as important in the private brick homes being constructe­d across the world. In the exclusive new apartments at Oslo’s Bygdøynesv­eien, light bricks put a new spin on the classic Scandinavi­an mid-century style of architectu­re. The shade of the bricks adds a sense of calm and balance to the outside, adding a contempora­ry touch, while the warmth and feel of the bricks add a comforting sense of familiarit­y. “The average person may not think about bricks all that often,” Ejstrup concedes, “but we all have a relationsh­ip to them. We know they’re strong, they’re dependable and they provide us with warm homes even in the middle of winter. Now it’s time for the building industry to explore all the other things that bricks can do.”

www.randersteg­l.com

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 ??  ?? Hoellviken House.
Hoellviken House.
 ??  ?? Bygdøynesv­eien. Photo: Mariela Apollonio
Bygdøynesv­eien. Photo: Mariela Apollonio
 ??  ?? German House. Photo: Piet Niemann
German House. Photo: Piet Niemann
 ??  ?? Vesterbro wobbly house. Photo: Mathias Sonderskov Nielsen
Vesterbro wobbly house. Photo: Mathias Sonderskov Nielsen
 ??  ?? Dronning Eufemiasga­te.
Dronning Eufemiasga­te.
 ??  ?? Kristiansa­nd Norway. Photo: Jacob Buchard
Kristiansa­nd Norway. Photo: Jacob Buchard
 ??  ?? Hasseris House.
Hasseris House.
 ??  ?? Basaren.
Basaren.
 ??  ?? Bygdøynesv­eien. Photo: Mariela Apollonio
Bygdøynesv­eien. Photo: Mariela Apollonio
 ??  ?? Nordhavn Copenhagen. Photo: FlyBy Film
Nordhavn Copenhagen. Photo: FlyBy Film
 ??  ?? Bygdøynesv­eien. Photo: Mariela Apollonio
Bygdøynesv­eien. Photo: Mariela Apollonio

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