Scottish Daily Mail

TURKEY WARS

Bronze or black, which premium bird should you plump for?

- TOM RAWSTORNE

WHEN it comes to producing the centerpiec­e for the ideal Christmas lunch, Patricia Graham knows the worst thing you can do is rush the process.

Indeed, as her aunt used to tell her, if a turkey is to be just right for the Big Day, they must have ‘tasted the April dew’.

sadly, of the ten million turkeys that will be consumed in Britain over the next couple of weeks, the vast majority will have done nothing of the sort.

Raised intensivel­y in hangar-like buildings, these giant white-feathered birds will never have been outside during their 12-week lives. In that time, their weight will have ballooned, piling breast meat on at such a rate that, by the end of the process, they struggle to walk.

But alongside cheap, massproduc­ed turkeys, consumers can choose one with a bit of history — and taste. About a million birds sold this year will be free range. And top of the pecking order are two traditiona­l breeds.

In one corner of the coop is the Norfolk Black, a turkey that Mrs Graham, 75, and her family pretty much saved from extinction in Britain. In the other is the KellyBronz­e, another old-fashioned breed that is also only here thanks to the foresight of another farming family.

Both have vocal champions among the foodie elite who believe the end product more than justifies the cost — £14-plus a kilo rather than £5 a kilo for a standard supermarke­t bird.

The breeds trace their lineage back to the turkeys brought back to Europe by 16th-century visitors to the New World.

The spanish Black was immediatel­y popular, its name changing to the Norfolk Black to reflect where it was largely reared. For the next 300 years the bird would be the mainstay of turkey production until superseded by the bronze turkey (a name reflecting its bronze-tinted plumage).

THE BRONZE was slightly heavier, with a bigger breast. As a result, by the Thirties the Norfolk Black had almost vanished. That it did not is largely due to Mrs Graham’s father, Frank Peele, part of a family that had been breeding turkeys in Norfolk since the 1880s.

Responding to a request from the local government poultry adviser, he agreed to hatch out a few Norfolk Black eggs. In the Fifties his birds performed well in industry competitio­ns. Realising the potential, Mr Peele got rid of his other breeds and concentrat­ed on the Norfolk Black.

Meanwhile, the bronze turkey was going out of fashion. When a ‘bronze’ is plucked, stubble-like black feathers can be left behind. The public did not like this, so the feather colour was bred out of the bird. With a white-feathered turkey, any quills left behind cannot be so easily seen.

‘The bronze went out of fashion and the white came in, so all the breeding and genetic developmen­t was done on the white turkey,’ says Paul Kelly, 51, the man behind the KellyBronz­e.

‘It has got to the stage when they kill the turkey at the right weight rather than when it is right to eat. Thus, it has a reputation for being dry and tasteless.’

To this background, in 1971 Mr Kelly’s father Derek, a farmer from Danbury, Essex, realised there was room in the market for a proper, old-fashioned turkey.

All KellyBronz­e birds sold this year — some 34,000 — will be reared on one of the Kelly’s Essex farms or by of their accredited farmers across the country.

One reason that traditiona­l breeds such as the Norfolk Black and KellyBronz­e taste better is because they take twice as long to reach their slaughter weight.

‘They are free range, we grow them for 27 weeks, and they are then dry-plucked by hand,’ says Mr Kelly. ‘This enables them to be hung for 14 days. All this creates a great-tasting bird.’

The same efforts go into producing the Norfolk Black that I buy online from a farm in Norfolk (the 1,000-plus birds reared by Mrs Graham’s son James have already sold out). Again, it has been roaming free for 24 weeks and hung for more than a week after slaughter.

‘The shape of the Norfolk Black is more like a pheasant, they are a sort of single-breasted bird,’ says Mrs Graham. ‘The Norfolk Black has a much tighter, firmer meat and therefore keeps the flavour and the moisture.’

Both birds come with detailed cooking instructio­ns, which are remarkably similar. The KellyBronz­e is to be cooked ‘quickly’ — ‘an average- size turkey will take just over a couple of hours to cook to perfection’.

As with the Norfolk Black, it is suggested the bird is cooked breast down to allow the fat on its back to trickle through to the breast and keep it moist.

Foil is advised against — it causes the skin to steam rather than go crisp — as is stuffing, which slows down the cooking times. For a 5kg bird, two hours and 15 minutes at a temperatur­e of 180c, or gas mark 4, is recommende­d.

The Norfolk Black will cook in a similar time, albeit after an initial blast in a hotter oven.

After cooking, it is important to let the birds rest so the juices can settle: 20 minutes for the Norfolk Black, up to an hour for the KellyBronz­e.

ONCE cooked and sitting side-by-side, they look remarkably appetising. I cut into the breast of the KellyBronz­e and am impressed not just by how moist it is, but by the firm texture of the meat. It also has great taste.

The same goes for the Norfolk Black. If anything it has more flavour, slightly gamey, which I find even more appealing.

In the past, I struggled to muster enthusiasm f or the Christmas turkey. How could something that takes so long to prepare, taste of so little?

That’s not a problem with these birds. But are they worth the additional cost? Given the care rearing them, and the finished result, I think they are.

 ??  ?? Battle of the birds: The Norfolk Black (left) and the KellyBronz­e
Battle of the birds: The Norfolk Black (left) and the KellyBronz­e
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