Scottish Daily Mail

Musical conjured up on the spot retains its old magic

- Alan Chadwick by

THE crème de la crème of improv shows, where a new musical is conjured up on the spot every night based on audience suggestion­s, regular Fringe favourite, Showstoppe­r!, finally enjoyed a long overdue run in London’s West End last year.

Bearing that in mind, it seemed only right to revisit it to see if it still retains the same musical magic. And boy, does it ever.

As usual, onstage director Dylan Emery takes suggestion­s from the audience on what particular constituen­t parts should go to make up the evening’s entertainm­ent – scenario, musical styles, title. Musicals just failing to make the cut include one set during the Russian Revolution, and Willy Wonka’s Chocolate Factory – ‘I think you’ll find that’s been done mate,’ grins Emery.

Instead, three-piece band at the ready, and the hugely talented sixstrong cast primed, it was finally time for curtain up on What Ghosts Around, Comes Around, a song and dance, comedy mystery thriller, set around a funfair ghost train, conjured up with only the barest smattering of props. And what a hoot it turned out to be.

There are comedians headlining Edinburgh with shows that aren’t anywhere near as funny as this onthe-hoof spoof was.

With Emery mischievou­sly pausing the action whenever he sees fit to introduce the audience’s suggestion­s, the gallery of characters is swiftly establishe­d – ghost train owners, Bethany and Marion whose parents mysterious­ly disappeare­d on Ealing Common leaving only a caravan hubcap and a Pizza Express voucher behind; Jessica, a posh gap year student; Max the janitor, and two down-on-their-luck thespians paid to scare the children.

The whole kit and caboodle soon up and running, the convoluted plot proves rich comedic pickings for the cast, who are an absolute joy throughout. Highlights included a rib tickling Gilbert and Sullivan pastiche, a dream sequence recap of events, and a quick fire etymologic­al explanatio­n for the mispronoun­ced line, ‘One swell foop’.

A high-wire act of top notch improv dexterity, consummate­ly performed at breakneck speed, the show delivers on every level. A wonderful, show-stopping, treat.

Pleasance Courtyard, until tomorrow

 ??  ?? OLIVIER-nominated Les Enfants Terribles offer up a Gothic musical about a spooky variety show set in the Empire Music Hall, where murder most foul is the wheel on which the show turns. With a host of characters, including deranged ventriloqu­ist Albert...
OLIVIER-nominated Les Enfants Terribles offer up a Gothic musical about a spooky variety show set in the Empire Music Hall, where murder most foul is the wheel on which the show turns. With a host of characters, including deranged ventriloqu­ist Albert...

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