Scottish Daily Mail

When times are tough, look demure

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I AGREE with Amanda Platell that Carrie Symonds resembles a Tudor queen in her newly fashionabl­e powerband (Mail). This is because it is a modern variation of the French hood, which was the favoured head-dress among fashionabl­e, but sadly powerless, young women in France and England from the late 1520s to the late 1550s, when Elizabeth I came to the throne. Historical­ly, women have adopted more demure, but not necessaril­y practical, fashions in times of political and economic turmoil. This happened in the Seventies, when hemlines headed downwards along with Britain’s manufactur­ing output, and bright colours were replaced by brown and beige. Could all the calf-length dresses with modest, high necklines filling the shops this autumn reflect the uncertaint­y over Brexit, just as much as the three-quarter-length culottes are reminiscen­t of the Seventies boy band Bay City Rollers? Fashion tends to be more flamboyant in times of greater optimism and prosperity. Flapper styles were replaced by understate­d, ladylike fashions at the time of the Great Depression. How ironic that the powerband was in vogue when Britain was trying to break free from control by Rome — and has now returned to favour when we are trying to leave the EU! NANCIE RUTHERFORD,

Sevenoaks, Kent.

 ??  ?? Powerbands: Carrie Symonds (left) and Anne Boleyn
Powerbands: Carrie Symonds (left) and Anne Boleyn
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